Planar 100mm f/3.5

Carl Zeiss · Hasselblad V · 1968 · Planar

Also known as: Zeiss Planar 100mm f/3.5 · Carl Zeiss Planar T* 100mm f/3.5 · Planar 3.5/100 · Planar 100/3.5 · Hasselblad 100mm Planar · Hasselblad 100mm f/3.5 · Planar T* 3,5/100 CFi · Zeiss Planar CF 100mm f/3.5 · Planar 100/3.5 CF · Planar C 100mm · Planar 100mm f3.5 C T*

Variants & identification

Variant Mount Years Serial ranges Production
Planar C 3.5/100 (single-coated, 1968 baseline) · Synchro-Compur, 1s–1/500 and B Hasselblad V 1968–1973
Planar C T* 3.5/100 · Synchro-Compur, 1s–1/500 and B Hasselblad V 1974–1982
Planar CF T* 3.5/100 · Prontor CF, 1s–1/500 and B Hasselblad V 1982–1998
Planar CFi T* 3.5/100 · Prontor CFi, 1s–1/500, B and F Hasselblad V 1998–2013
Planar 3.5/100 MK (MK70 photogrammetric camera) Hasselblad V (MK — MK70 photogrammetric body only)
  1. Element and group counts, exact focal lengths, weights, closest focus and filter series come from the Zeiss data sheets hosted by Hasselblad Historical (C100, CF100, CFi100).
  2. Generation start years follow the barrel/shutter families as a whole (C 1968, CF 1982, CFi 1998); no source consulted gives a month for the 100mm's own changeovers, and old stock overlapped the new.
How to tell them apart (expand)
  • Five elements in four groups in every generation — the lightest and simplest of the V-system standard lenses, and the only Planar in the line that Zeiss recommends over the 80mm for detail and freedom from distortion
  • Filter mount is the quickest sort: bayonet 50 on the C and C T*, bayonet 60 on the CF and CFi
  • The letter after the focal length is the generation: C or none (Synchro-Compur, 1968–82), CF (Prontor CF, 1982–98), CFi (Prontor CFi, 1998–2013). There is no CFE, no CB and no F or FE 100mm — the focal length exists only as a leaf-shutter lens
  • Closest focus is 0.9 m in every version; the 100mm was never given the longer focusing mount that the shutterless F lenses got

Planar C 3.5/100 (single-coated, 1968 baseline):

  • Black barrel with a chrome filter-bayonet ring at the front — unlike the 80mm Planar, which was still a chrome lens in 1973, the 100mm was black from the start (Victor Hasselblad Inc.'s April 1973 suggested-retail list calls it '100mm Planar f/3.5/black'; KEH catalogues the type as 'Black with Chrome Filter Ring, Bayonet 50')
  • No red T* on the name ring — the same April 1973 list gives the 100mm no T* while the 1 January 1980 list writes it '100mm Planar C 3.5 T*', so the changeover falls between those two dates
  • Bayonet-50 filter mount; Synchro-Compur with the EV cross-coupling lever, as on every C lens
  • Product number 20125

Planar C T* 3.5/100:

  • Red T* after the Planar name; otherwise the same black barrel, chrome filter ring, bayonet-50 mount and EV interlock lever as the earlier C
  • Listed as '100mm Planar C 3.5 T*', product number 20125, at $1,530.00 on Victor Hasselblad Inc.'s dealer price list effective 1 January 1980
  • Shares the Lens Shade 100–250 ('C') and the Quick Focusing Handle I (38/50/60/80/100/105) with the other small C lenses (1980 price list)

Planar CF T* 3.5/100:

  • CF after the focal length; black barrel with the rubber focusing grip, and the filter mount moved to bayonet 60
  • Green F on the shutter-speed ring — the open-shutter setting for a 2000- or 200-series focal-plane body
  • Zeiss data sheet: cat. no. 10 21 66, 5 elements in 4 groups, exact focal length 100.3 mm, 605 g, 0.9 m, reproduction ratio to 1:6.9
  • Product number 20126

Planar CFi T* 3.5/100:

  • CFi after the focal length and no databus contacts — this is the one focal length in the CFi/CFE generation that was never given the E electronics (Hasselblad Historical's lens table lists a Planar f/3.5 100 mm CFi only)
  • Zeiss data sheet: cat. no. 10 22 17, 5 elements in 4 groups, exact focal length 101.3 mm, 600 g, 0.9 m, bayonet 60, Prontor CFi 1s–1/500 s, b, f
  • Outline on the sheet: 71 mm long, 83 mm in diameter, 74.9 mm to the film plane
  • Product number 20127

Planar 3.5/100 MK (MK70 photogrammetric camera):

  • Fixed-focused at infinity, with no focusing helical — Hasselblad's own lens guide lists it with the 60mm MK Biogon as being 'for the MK70 photogrammetric camera only' and notes that a special body was needed for the MK lenses

Serial-range notes

red-ink code inside the rear mount, pre-1980
Zeiss stamped a date code in red ink inside the rear of the mount. Before 1980 the last two digits are the month and the leading digit or digits plus 1957 the year, so 1103 = March 1968 and 1710 = October 1974. Lens serials themselves are Zeiss's running numbers; no published block-to-year table for the 100mm Planar was found.
red-ink code inside the rear mount, 1980 onward
From 1980 the code is two reversed year digits followed by a month letter, A = January — so a CF 100 reading 28F was made in June 1982, the first year of the CF barrel.

Specifications

Formula
Planar
Construction
5 elements / 4 groups
Aperture range
f/3.5–f/22
Shutter
In the lens throughout — Synchro-Compur (C, C T*) or Prontor (CF, CFi), 1s–1/500 and B, flash sync at every speed; the CF and CFi add the F setting that holds the leaf shutter open for a focal-plane body
Min. focus
0.9 m
Weight
610 g
Years manufactured
1968–2013
Country
West Germany (Carl Zeiss, Oberkochen; Germany from 1990)
Coating
Single-coated at launch; T* multicoating between April 1973 and January 1980, on the evidence of the two Victor Hasselblad Inc. price lists — every CF and CFi is T*
Original price
US$715.00 (today $5,050) for the black C lens on Victor Hasselblad Inc.'s suggested-retail list of April 1973 (against $427.50 for the 80mm Planar); US$1,530.00 for the 100mm Planar C 3.5 T* on the dealer price list effective 1 January 1980. No launch price for 1968 and no Swedish or Japanese price has been found.

What reviewers say

Optical formula — Planar
Schematic cross-section drawn for this site from the Zeiss data sheet (C100) — 5 elements in 4 groups; curvatures and spacing stylized.
Schematic cross-section drawn for this site from the Zeiss data sheet (C100) — 5 elements in 4 groups; curvatures and spacing stylized. — Drawn for this site
ⓘ What these charts mean

MTF (modulation transfer function) shows how much contrast the lens keeps at a given fineness of detail, from the center of the frame to the corner — the coarse curves track punch, the fine ones resolving power, and a gap between solid and dashed lines means astigmatism. Relative illumination (falloff) shows how much darker the corners are than the center at each aperture. Manufacturers only began publishing these for modern lenses; no 1950s maker issued them, which is why older families here cite period magazine bench tests instead.

History

The 100mm f/3.5 Planar is the lens Zeiss recommended when the 80mm was not good enough. Both the C and the CF data sheets say so in the same words: at full aperture and moderately stopped down its image quality is “superior to that of the 80 mm Planar”, so it “is recommended as a standard lens where demands for detail recognition and brilliance are high”. The reason is the design brief rather than the manufacture. Five elements in four groups, an exact focal length of 100.3 mm, a maximum aperture two-thirds of a stop slower than the 80mm’s — the correction budget that a faster lens spends on speed went instead into flatness of field and, above all, into distortion. Zeiss’s sheets name architecture and surveying as the applications, and Ernst Wildi’s Hasselblad Manual adds aerial mapping. The lens is 610 g in its C form, focuses to 0.9 m, and takes Hasselblad’s series 50 bayonet filters.

Its introduction date is the weakest fact on this page. lens-db.com’s catalogue gives 1968 for the first single-coated version; Hasselblad Historical’s lens table lists the Planar f/3.5 100 mm in C, CF and CFi without a single year, and none of the three Zeiss data sheets carries a date beyond the CFi’s “Printed in Germany 29.05.2000”. What can be dated are the price lists. Victor Hasselblad Inc.’s April 1973 suggested-retail list has “100mm Planar f/3.5/black” at $715.00, against $427.50 for the 80mm — and the description is worth pausing on, because in the same list the 80mm is still a chrome lens. The 100mm was black from the beginning, with a chrome ring around the front filter bayonet, which is how KEH still catalogues the type. That makes finish useless for dating this lens and coating the thing to look at instead: the 1973 list gives the 100mm no T*, while the dealer list effective 1 January 1980 writes it “100mm Planar C 3.5 T*” and prices it at $1,530.00. The multicoating therefore arrived somewhere in those seven years; nothing consulted here narrows it further.

After that the story is barrels. In 1982 the whole V line moved from Synchro-Compur to Prontor’s CF shutter, and the 100mm went with it: bayonet 60 in place of bayonet 50, a rubber focusing grip, the green F setting that lets a leaf-shutter lens be held open for a focal-plane body, 605 g, catalogue number 10 21 66. In 1998 the CFi barrel replaced it — Prontor CFi, 600 g, an exact focal length now printed as 101.3 mm, 71 mm long and 83 mm across. The glass never moved. Every sheet from 1968 to 2000 gives five elements in four groups, and the CFi sheet’s boast is about optimisation, not redesign: “It is not just a standard Planar lens with 25% more focal length. It is optimized to deliver virtually zero distortion and at the same time extremely well defined image details — sharpness — over the entire frame, and all this even at full aperture,” which Zeiss attributes to its work in microdocumentation and aerial survey.

Two absences define the family as much as its versions. There is no CFE: Hasselblad Historical’s table lists a Planar f/3.5 100 mm CFi and stops, so this is the focal length that never received the databus contacts, and a 200-series body meters it the old way. And there is no F or FE — no shutterless 100mm was ever built, which is why the fast portrait lens for the 2000-series bodies had to be a different focal length altogether, the 110mm f/2. The only other 100mm Planar is a special: Hasselblad’s lens guide lists a “Planar 3.5/100 MK”, fixed-focused at infinity, for the MK70 photogrammetric camera only, alongside the 60mm MK Biogon that gave that camera its name.

Erin Emery’s V-system lens guide gives the collector’s counter-argument: the 100mm is optically the better lens, but most users find the difference negligible against the price, and unless large prints or gallery walls are involved the 80mm will do. The 1973 list makes the same point in period money — the 100mm cost two-thirds again as much as the standard lens.

Open: the introduction year, which rests on one catalogue entry; the month or year the T* arrived, bracketed here only between April 1973 and January 1980; whether the CFi ran to the V system’s 2013 close or stopped earlier; who at Oberkochen computed the lens, whom no source names; every production figure, which would have to come from Nordin’s compendia; and when the MK version was made, how many, and whether any MK70 left the factory with one.

Expand Collapse

This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.

Example photos

Sample photo wanted — shot with a Planar 100mm f/3.5? We'd love to feature it (with credit).

Live listings

Asking price, USD: a median of $1,500 across 38 fixed-price listings on 2026-09-11 (middle half $1,200–$1,800). Tracked since 2026-09-06, 2 days: unchanged from $1,500.

By day
DateMedianMiddle halfListings
2026-09-11$1,500$1,200–$1,80038
2026-09-06$1,500$1,200–$1,80038

Asking prices from the listings scanned, not sales; junk-flagged rows and auction lots excluded; other currencies are not converted.

Show 74 more listings

eBay links are affiliate links. If you buy through one, Glass Bodies earns a small commission from eBay at no cost to you. It does not change which listings appear, their prices or their order — those come from the search and the sort described above.

Listings updated 2026-09-11. Links go to the shop or marketplace that carries the item.