Topcon RE Super

Topcon · Exakta mount · 24×36mm on 135 film (English Wikipedia) · 1963

via machine translation — corrections welcome

Also known as: Topcon RE Super · Topcon RE-Super · Topcon RE.Super · Topcon RESuper · Tokyo Kogaku Topcon RE Super · Beseler Topcon Super D · Beseler Topcon Super-D · Beseler Super D · Beseler Super-D · Beselar Topcon Super-D · Beselar Topcon Super D · Hanimex Topcon RE Super · トプコン REスーパー · トプコンREスーパー · トプコン RE スーパー · トプコン RE SUPER · 東京光学 RE SUPER · 東京光学 REスーパー · トプコン REスーパー ボディ · トプコン REスーパー ブラック · トプコン REスーパー シルバー · トプコン REスーパー 初期型 · トプコン REスーパー 前期型 · トプコン REスーパー 中期型 · トプコン REスーパー 後期型 · トプコン REスーパー RE · ベセラー トプコン スーパーD · ベセラートプコン スーパーD · ベセラー スーパーD

Variants & identification

Variant Mount Years Serial ranges Production
Topcon RE Super, initial type Exakta 1963 — About 10,000, by Topcon Club's estimate
Topcon RE Super, early type Exakta 1965 — —
Topcon RE Super, mid type Exakta 1966–1967 — —
Topcon RE Super, late type Exakta 1968–1972 — —
Topcon RE Super, black Exakta — — —
Beseler Topcon Super D (United States) Exakta 1963–1971 46xxxxx (example 4642xxx) —
Hanimex Topcon RE Super Exakta — — —
Topcon RE Super / Beseler Super D, U.S. Navy Exakta — — —
  1. Production: about 90,000 by the Maxifiche's serial limits; about 70,000 by Topcon Club, counting the Beseler and Navy bodies, of which it puts the RE Super-named cameras sold to the public at no more than about 30,000. Most went to the United States, so few were sold in Japan.
  2. Lenses that meter at full aperture: every RE Auto-Topcor from the 20mm f/4 to the 500mm f/5.6, the RE Zoom Auto-Topcor 87–205mm and the RE Macro Auto-Topcor 58mm f/3.5 (Maxifiche, Wikipedia). The later RE GN Topcors of the Super DM and the RE Topcors of the RE200 have the same RE mount (Topcon Club), so they are expected to couple, though no source describes them on this body.
  3. Lenses that meter stopped down: the preset R Topcors, the Macro Topcors 30mm, 58mm and 135mm, Exakta preset and manual lenses, and barrel lenses on bellows. Beseler's sheets say the meter works with any lens, preset or barrel mount, and Eckman metered a Zeiss Tessar stopped down. On the Macro Topcors the diaphragm is worked by hand or a double cable release.
  4. F Auto-Topcors (RII, RIII and RS lenses, part of the Auto-Topcor 35mm, 58mm, 100mm and 135mm families): the Maxifiche says their meter-coupling finger turns the opposite way to an RE lens's and that they must not be used on the RE Super, RE-2, Super D or Super DM. Topcon Club says that, unmodified, an F Auto-Topcor on an RE Super meters stopped down. The links stay because the RE versions of those families work on this body.
  5. The semi-automatic Auto-Topcors of the Topcon R work their diaphragm through a plunger pressed by the release; Hugo Ruys says they work on the later Topcons only with a shutter-button extension rod. Otherwise use them stopped down by hand.
  6. Exakta lenses mount without an adapter, but the Maxifiche says the automatic-diaphragm Carl Zeiss Jena lenses of 1961–70 foul the outer ring of the Topcon bayonet, as other lenses with a bulky diaphragm drive may; preset and manual Exakta lenses and the automatic Angénieux lenses fit. Eckman found that a Schneider Xenon 50mm f/2 reached into the mirror box at infinity and jammed the mirror. Topcon's release is on the opposite side to the Exakta's, so semi-automatic lenses of one maker work on the other's bodies only clumsily (Hugo Ruys).
  7. UV Topcor and Hi-Topcor lenses of the leaf-shutter Unirex and IC-1 fit the RE Super, Super D and Super DM through Topcon's UV mount adapter, with stop-down metering (Maxifiche). A Super DM-era Paillard catalogue numbers the adapter #83530.
  8. Super D (1972) and Super DM (1973) are separate cameras: the Super D adds mirror lock-up, a release lock and a 135° advance, and the DM adds the winder coupling (Topcon Club; Maxifiche). No RE Super, Beseler Super D of 1963–71, Hanimex or Navy body of this line has them.
How to tell them apart (expand)
  • RE SUPER (Topcon) or SUPER D (Beseler) on the front of the top plate; TOPCON, Beseler TOPCON or Hanimex on the prism (Topcon Club)
  • A ruled grid of fine slits across the reflex mirror, visible with the lens off: the TTL meter's window, absent on the otherwise similar RS (Topcon Club)
  • Shutter release on the front of the body beside the mount, with the self-timer lever below it on the same plate; a meter-needle window on the top plate; battery cap and meter switch in the base, where the RS has an ASA reminder dial (Topcon Club; Photo Thinking)
  • No mirror lock-up dial beside the mount and no lock on the release: those mark the Super D of 1972 (Maxifiche; Topcon Club)
  • Serial beginning 46 (English Wikipedia; Maxifiche)

Topcon RE Super, initial type:

  • The screw at the centre of the advance lever has two spanner holes; on every later type it is plain (Topcon Club)
  • A white plastic insulator stands up above the claws of the accessory-shoe bayonet at the base of the rewind crank; shared with the early type, gone on the mid type (Topcon Club)
  • RE SUPER on the front of the top plate to the right of the prism as you face the camera, a flat plate behind the front release and self-timer, TOPCON across the prism front (Topcon Club photographs)
  • Standard lenses of the initial and early types have slightly raised rims either side of the rubber focusing grip and red index dots for distance and aperture (Topcon Club)
  • Split-image screen with a visible step between the matte collar and the Fresnel field, so the image looks slightly broken at that border even when focused; corrected on the mid type (Topcon Club)

Topcon RE Super, early type:

  • No spanner holes in the advance-lever screw, but the white insulator still stands up on the accessory-shoe bayonet (Topcon Club)
  • Logo, release plate and screen as on the initial type (Topcon Club photograph)
  • Standard-lens index dots red at first, green from partway through this type (Topcon Club)

Topcon RE Super, mid type:

  • No insulator showing above the accessory-shoe bayonet claws, so the shoe mount at the rewind crank looks clean (Topcon Club)
  • Improved standard screen: no step between the matte collar and the Fresnel field (Topcon Club)
  • RE SUPER still on the right of the prism as you face the camera, in the original lettering, and a flat plate behind the release and self-timer (Topcon Club)

Topcon RE Super, late type:

  • RE SUPER moved to the left of the prism as you face the camera, in new, wider lettering (Topcon Club)
  • Ribbed washboard plate behind the front release and self-timer, the part the Beseler bodies had used from the start (Topcon Club)
  • No mirror lock-up and no release lock; those, a black speed dial, leatherette on the prism top and no plate at all behind the release mark the Super D of 1972 (Topcon Club; Maxifiche)

Topcon RE Super, black:

  • Black finish on every outer part, the shutter button excepted; no plated chrome-body part is reused (Topcon Club)
  • Mid-type black bodies, with the flat release plate, are the ones usually seen; Topcon Club has hardly seen initial or early black bodies
  • Late black bodies come two ways: with the washboard release plate and, at higher serials, with the older flat plate, which Topcon Club takes to be leftover mid-type black parts

Beseler Topcon Super D (United States):

  • Beseler in script above TOPCON in capitals on the prism front, and SUPER D in place of RE SUPER on the top plate (Topcon Club)
  • Ribbed washboard plate behind the release and self-timer from the start; on the Japanese-market bodies it arrives only with the late type (Topcon Club)
  • Same running changes as the Topcon bodies: the middle type has no spanner holes in the advance-lever screw and no raised insulator on the shoe bayonet (Topcon Club)
  • From 1968 the SUPER D logo moves to the left front, in the same lettering; late bodies also have a take-up spool with more film slots (Topcon Club)
  • Beseler catalogue numbers: BT 300 with 58mm f/1.4, BT 310 with 58mm f/1.8, BT 311 the black model with 58mm f/1.8, BT 315 with 35mm f/2.8, BT-301 body only (Beseler catalogue sheet, 1966)

Hanimex Topcon RE Super:

  • Hanimex on the prism cover in place of the Topcon logo; the rest is a mid-type RE Super (Topcon Club)
  • Film-speed scale marked ASA, since the camera was sold mainly in Britain (Topcon Club)

Topcon RE Super / Beseler Super D, U.S. Navy:

  • A U.S. NAVY engraving is the only difference from a standard body (Maxifiche; Hugo Ruys)
  • Usually black and heavily used: Topcon Club warns of dents everywhere and dead meters
  • Hugo Ruys also reports a U.S. Force inscription, on the Super D and Super DM in particular

Serial-range notes

4600001–4690000
The Maxifiche's limits for the RE Super and Beseler Super D, with about 90,000 made. English Wikipedia gives type 46A, serial prefix 46. Examples: 4606424 (Yahoo! Auctions listing), 4642xxx (Beseler, Commons photograph by s58y).

Specifications

Format
24×36mm on 135 film (English Wikipedia)
Finder
interchangeable eye-level pentaprism; waist-level and 6.5× high-magnification finders as accessories
Shutter
cloth focal plane, horizontal travel · 1s–1/1000, B · flash sync X at 1/60 (camera-wiki; Maxifiche); M, F and FP bulbs and electronic flash synchronised by colour-coded speeds on the dial (Beseler); shoe with contact on a bayonet at the base of the rewind crank, and a PC socket (Beseler; English Wikipedia) · self-timer
Film advance
single-stroke lever, 180° (Topcon Club; Beseler); exposure counter resets when the back is opened
Back
hinged and removable, interchangeable with the 250-exposure bulk-film back (Beseler; Maxifiche); the release in the base is a grooved button that is pressed and twisted (Eckman; Photo Thinking)
Meter
CdS, through the lens, behind the reflex mirror: the mirror's silvering is ruled with fine slits that pass about 7% of the light to the cells (Maxifiche; Eckman). Coupled to shutter speed and to the aperture of RE lenses, read at full aperture, averaging over the frame (camera-wiki; Beseler); exposure is set by bringing the needle to a fixed mark (Maxifiche), which Eckman calls a match needle and Photo Thinking a T-shaped pointer centred in a V. EV 2–16 (camera-wiki; Beseler). ASA 25–800, then 25–1600 after 1964 (Maxifiche); camera-wiki and Beseler's 1966 sheets give 25–1600. One 1.35V mercury cell (PX625, Eckman; PX13, Photo Thinking); switched in the base. Topcon Club says the slit pitch was set for each camera's CdS cell, so several patterns exist, and the mirror coating went from magenta-tinged early to cyan-tinged late.
Motor drive
Topcon Electric Motor Drive — Fits under the base without modification, 1–3 frames per second, with a 250-exposure back that mounts once a spacer on the motor is removed (Topcon Club; Maxifiche; Beseler). Topcon Club notes the Nikon F needed factory work for its motor and separate motors for 36 and 250 exposures.
Weight
820 g
Dimensions
157 × 56 × 100, body only (Maxifiche) mm
Country
Japan
Original price
United States, Beseler's advertised prices: $369 with the 58mm f/1.8 and $420 with the 58mm f/1.4, in a Beseler advertisement in Modern Photography of January 1964 (as reproduced by Mike Eckman). A Beseler sheet for the D-1 still gives the Super-D at $420.00 with f/1.4; another undated Beseler sheet gives $409 with the 58mm f/1.4. In France, December 1966: 2,310 francs with the 58mm f/1.8, against 2,269 for a Nikon F Photomic T with 50mm f/1.8 (prices quoted in the Maxifiche, which does not say whether they are list or dealer prices). (today $4,250)
Accessories
Waist-level finder, 6.5× high-magnification finder, nine focusing screens, eyepiece correction lenses from −3 to +3 dioptres (Beseler; Topcon Club) · Topcon Electric Motor Drive with battery pack, remote release and 250-exposure back (Maxifiche; Beseler) · Accessory shoe for the rewind-crank base, carrying the flash contact (Maxifiche); Beseler adapter BT-69 for shoe-mount flash units · Extension tubes, variable extension tube, bellows, copy stand, slide copier, microscope adapter (Beseler; Maxifiche) · UV mount adapter for UV Topcor and Hi-Topcor lenses (Maxifiche), #83530 in a Super DM-era Paillard catalogue

The finder lifts off after a release button on the right of the finder well, and the screen lifts out by a tab on its frame (Maxifiche). Five screens at launch, nine later (Topcon Club). The standard screen is ground glass with a Fresnel lens, a fine-focus ring and a split-image spot (Beseler). Topcon Club says the split-image prisms are cut at a shallow 6.5°, which keeps one half from blacking out with slow lenses but focuses less precisely than the 10° prisms of other makers. The meter needle shows in a window below the image, by a relay of the needle's image, and in a second window on the top plate (Maxifiche). Because the meter is in the mirror, every finder and screen keeps metering.

Where sources disagree

Last
  • 1971 — camera-wiki, English Wikipedia, Maxifiche
  • Early 1972, until the Japanese-market Super D — Topcon Club
  • 1972 — Mike Eckman

The Super D was exported from late 1971 and sold in Japan from 1972 (Topcon Club), so the two overlap.

Production
  • About 90,000, serials 4600001–4690000 — Maxifiche
  • About 70,000 including Beseler and Navy bodies, about 30,000 sold as RE Super — Topcon Club
Weight (grams)
  • 820g body — Maxifiche
  • 821g body, 1039g with the 58mm — Mike Eckman
  • 816g body with finder — s58y, on the Commons photograph
  • 26 oz with lens — Chuck Fehl (PHSNE), lighter than any body-only figure

Better supported: 820g body

Meter (ASA range)
  • ASA 25–800 to 1964, then 25–1600 — Maxifiche
  • ASA 25–1600 — camera-wiki; Beseler
Meter (light to the cell)
  • 7% through the mirror — Maxifiche; Mike Eckman
  • About 10% light loss to the finder — Chuck Fehl
Military)
  • Several thousand black Super Ds for the Marine Corps through the Navy — Chuck Fehl
  • Chosen by the Navy and Air Force over the Nikon F after testing — Mike Eckman
  • Many cameras supplied to the Navy from 1963 — Maxifiche

No contract or test report is cited.

What reviewers say

History

The RE Super is the camera that made Topcon’s name. Tokyo Kogaku completed it in May 1963 on the Exakta-derived bayonet it had used since the Topcon R of 1957, and it is credited as the first SLR to meter through the lens, and to do so at full aperture. The CdS cells sit behind the reflex mirror, whose silvering is ruled with a grid of fine slits that let about 7% of the light through, so the meter works with any finder, screen or lens on the camera. RE lenses pass their set aperture to the body through a chain and pulley. A pin in each lens mount is placed according to the lens’s maximum aperture, so the chain is pulled by the right amount as the lens is turned home. Topcon Club recounts that Canon later licensed the open-aperture patent for the FTb and Nikon took it for Ai. Around this sat a full professional system. The prism lifts off for a waist-level or magnifying finder, the screens change, and a motor drive and 250-exposure back fit without modification. The body was big, square and heavy, about 820g without a lens. Topcon Club says Beseler, the American importer, chose its designer, and the shape lasted to the Super DM.

Most cameras were exported. In the United States Beseler sold it as the Beseler Topcon Super D, advertised at $369 with the 58mm f/1.8 and $420 with the f/1.4 in January 1964. The Australian distributor Hanimex sold a few under its own name in the mid-1960s, mainly in Britain. Topcon Club puts production to early 1972 at about 70,000, Beseler and Navy bodies included, with no more than about 30,000 sold as RE Supers. The Maxifiche’s serial limits, 4600001 to 4690000, allow for about 90,000. The U.S. Navy took black bodies engraved U.S. NAVY. Chuck Fehl says several thousand went to the Marine Corps in the Vietnam years, and Mike Eckman says the Navy and Air Force chose the camera over the Nikon F. Neither cites a contract.

The changes are small, and Topcon Club’s four types are told apart from photographs. On the initial type of 1963, about 10,000 cameras, the screw in the advance lever has two spanner holes, and a white plastic insulator stands up on the accessory-shoe bayonet at the rewind crank. The early type of about 1965 loses the spanner holes. The mid type of 1966–67 loses the insulator and gets a better screen, without the visible step between the matte collar and the Fresnel field. On all three, RE SUPER is on the right of the prism as you face the camera and the plate behind the front release is flat. From mid-1968 the late type moves RE SUPER to the left in wider lettering and takes the ribbed washboard plate the Beseler bodies had carried from the start. The Beseler cameras follow the same changes with SUPER D in place of RE SUPER and Beseler TOPCON on the prism. The Super D of 1972 is a separate model with mirror lock-up, a release lock and a shorter advance stroke, and Beseler sold it under the same name. A listing titled Beseler Super D needs its serial checked: 46 is this camera, 71 the later one. Black bodies were made under both the Topcon and Beseler names, and Topcon Club rarely sees black ones earlier than the mid type.

When buying, check the meter first. It wants a 1.35V mercury cell, and Eckman and Photo Thinking both found it close enough on a 1.5V replacement. The switch is in the base and easy to leave on. Black bodies offered abroad are often Navy cameras, and Topcon Club warns that many arrive dented and scratched with dead meters. Only RE lenses meter at full aperture. Preset R Topcors, Macro Topcors and Exakta lenses meter stopped down. The Maxifiche says the F Auto-Topcors of the RII, RIII and RS must not be used, because their coupling finger turns the wrong way, while Topcon Club says they simply meter stopped down. Exakta lenses mount without an adapter, but the Maxifiche says Zeiss Jena automatics of 1961–70 foul the bayonet’s outer ring, and Eckman had a Schneider Xenon jam the mirror at infinity. The Maxifiche says the UV and Hi-Topcor lenses of the leaf-shutter Unirex and IC-1 fit only through Topcon’s UV adapter, metering stopped down.

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This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.

Photographs

Topcon RE Super
Chrome Topcon RE Super with the RE Auto-Topcor 5.8cm f/1.4: RE SUPER to the right of the prism and a flat plate behind the front release, as on the bodies made before 1968 — E Magnuson (Flickr), via Wikimedia Commons (CC BY 2.0)
Topcon RE Super
Beseler Topcon Super D, serial 4642xxx, fitted with a later RE GN Topcor M 50mm f/1.4 — s58y (Flickr), via Wikimedia Commons (CC BY 2.0)

Live listings

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