Macro Topcor 30mm f/3.5

Topcon · Exakta · 1967 · Six elements in four groups

via machine translation — corrections welcome

Also known as: Macro Topcor 30mm f/3.5 · Macro Topcor 30mm f3.5 · Macro Topcor 30mm F3.5 · Macro-Topcor 30mm f3.5 · Macro-Topcor 30mm f/3.5 · Macro-Topcor 30mm F3.5 · Macro Topcor 3cm f3.5 · Macro-Topcor 3cm f3.5 · Macro Topcor 1:3.5 f=30mm · Macro-Topcor 1:3.5 f=30mm · Macro Topcor 3.5/30 · Macro Topcor 3.5/30mm · Macro Topcor 30mm 1:3.5 · Macro Topcor 30mm · Macro-Topcor 30mm · Topcon Macro Topcor 30mm · Topcon Macro-Topcor 30mm · Topcon Macro Topcor 30mm f3.5 · Topcon Macro-Topcor 30mm F3.5 · Topcon Macro 30mm f3.5 · Topcon Macro 30mm f/3.5 · Topcon 30mm f3.5 Macro · Topcon 30mm f/3.5 Macro · Topcon 30mm f3.5 Macro Topcor · Topcon 30mm f3.5 Macro-Topcor · Topcor Macro 30mm f3.5 · Topcor Macro 30mm · Tokyo Kogaku Macro Topcor 30mm · Tokyo Kogaku Macro-Topcor 30mm f3.5 · Tokyo Kogaku Macro Topcor 30mm f/3.5 · Beseler Topcon Macro 30mm · マクロトプコール 30mm F3.5 · マクロトプコール 30mm · マクロ トプコール 30mm F3.5 · マクロ・トプコール 30mm F3.5 · トプコン マクロトプコール 30mm · トプコン マクロトプコール 30mm F3.5 · トプコン Macro-Topcor 30mm F3.5 · トプコン Macro Topcor 30mm

Variants & identification

Variant Mount Years Serial ranges Production
Macro-Topcor 30mm f/3.5, chrome (brass barrel) Microscope-objective thread; Topcon Exakta-type bayonet through the MT-1 or MT-2 adapter 1967 — —
Macro-Topcor 30mm f/3.5, black (aluminium barrel) Microscope-objective thread; Topcon Exakta-type bayonet through the MT-1 or MT-2 adapter 1972 — —
  1. Mount. Paillard calls it a special screw mount that interchanges with a microscope objective, so a microscope can be used as the focusing connector; Maxifiche says the thread is identical to that of microscope objectives and the lens can go straight onto a microscope tube. Topcon Club's test report gives it as the 20.32 mm JIS/DIN microscope thread, 'what is now called RMS'. The lens reaches a camera only through Topcon's MT-1 (a flat disc) or MT-2 (a cone, shaped so that lights can reach the subject at close range), which carry the Topcon bayonet; neither has a helicoid. Paillard lists the lens with both adapters and a wooden case.
  2. Magnification, as each source prints it. Paillard's lens entry: computed for 2× to 12×, best resolution at 3× to 5×, 2× to 3× on the Variable Extension Tube no. 83090 and 2× to 12× on the Model IV bellows no. 83010; the same catalogue's tube entry reads '1:2 to 1·7 for 30mm lens'. Maxifiche: 2× to 7× in its table, 2× to 10× in its text. Topcon Club's lens page: up to 9× with a bellows. Topcon Club's test report: 1× with MT-1 alone on the camera, 3× with MT-2, recommended 2× to 5×, and up to 9× with MT-2 and the bellows. The IC-1 instruction manual, for that camera through its RE Mount Adapter: 1.6× with MT-1 (0.18 m), 2.6–7.6× with MT-1 and the Model IV bellows, 3.6× with MT-2 (0.13 m) and 4.6–9.6× with MT-2 and the bellows; it gives MT-1 as 5.8 mm thick and MT-2 as 65 mm. No single figure is set on this page.
  3. Diaphragm. Paillard calls it pre-set; Maxifiche calls it a click diaphragm (cranté); Topcon Club calls it a plain manual diaphragm (普通絞り), unlike the semi-automatic 58mm and 135mm bellows heads. The aperture runs f/3.5 to f/16 (Maxifiche, Topcon Club; the scale in Paillard's photograph). Metering is stopped down (Paillard; Maxifiche: diaphragme réel).
  4. Construction and coverage. Six elements per Paillard and Maxifiche. Topcon Club's test report says Topcon first announced a five-element, four-group design, and that by the time it went on sale around 1967 it had become six elements in four groups; it is the only source for the groups. Angle of view: 70° (Paillard) or 20°30' at 3× (Maxifiche). Filter 22.5 mm and weight 52 g (1.8 oz) in both Paillard and Maxifiche; no thread pitch is given. Both weights are for the lens as listed, and Topcon Club says the black aluminium lens is much lighter than the brass one, so the 52 g is likely to be the chrome lens's.
  5. Date. Topcon Club's test report says the lens went on sale around 1967 (67年頃の発売時), and in the same report that it appeared in the mid-1960s, a while after the RE Super; its Topcor lenses page says Topcon's macro line was complete by the mid-1960s. Beseler's US lens catalogue of 1966 lists the 58mm and 135mm Macro Topcors but not this lens. The page sets 1967. No end date found.
  6. Finish dates. Topcon Club's two pages disagree. The Topcor lenses page pairs the finishes with the metals (chrome brass, black aluminium) and dates the black lens from 1972. The test report says the barrel changed to aluminium in the 1970s and that a few black lenses followed in the Super DM era, which leaves room for a chrome aluminium lens. No such lens has been photographed or described, so it is not a variant here.
  7. Bodies. The lens has no diaphragm coupling, so it works the same on every Topcon focal-plane reflex through MT-1 or MT-2: focused and metered at the taking aperture. Paillard gives stop-down exposure measurement, and Topcon Club, which tested the lens on a Super DM, says a TTL meter removes the need to work out the effective aperture but that at high magnification the built-in CdS meter may often not cope. That fits the RE Super, Super D and Super DM. The RE-2 also has a TTL meter, but Topcon Club says it has no stop-down lever and couples its meter through a sliding resistor; the lens has a plain manual diaphragm, so the meter reads at whatever aperture is set, and the Maxifiche's lens table gives metering at the working aperture for all three Macro Topcors, though the RE-2's instruction book names only the 58mm and 135mm for that body. The R, RII, RIII and RS have no TTL metering, so exposure is found with a separate meter and the effective aperture: Topcon Club gives it as the set f-number times the magnification plus one (f/3.5 at 9× works as f/35). The RE200 and RE300 keep the RE mount (Topcon Club, FPslr5), and their own instruction book lists this lens in its table of Topcor lenses with a manual diaphragm and stop-down metering. All ten links are kept with those limits.
  8. Focusing screens. Topcon Club says the split-image and microprism centres of the RE Super's standard screen black out at these magnifications with the lens stopped down by hand, and recommends an all-matte or cross-line matte screen. It also notes that at the highest magnifications the mirror vignettes the image, as with very long lenses.
  9. Other cameras. Topcon Club says many users adapted the lens's adapters to fit other makers' cameras, because for some time no other Japanese maker offered such a lens. No source describes the MT-1 or MT-2 on an Ihagee Exakta; Topcon Club notes that Topcon's release sits on the opposite side to Exakta's, which matters only for lenses with a release arm, and this lens has none. The IC-1 instruction manual shows the lens on the IC-1, a camera outside this catalogue's scope, through Topcon's RE Mount Adapter.
  10. ⁰ Price. Paillard Incorporated, Topcon's later US distributor, lists the lens with MT1 and MT2 adapters and wooden case as no. 80670 at US$111.00, against $105.35 for the Macro Topcor 58mm and $109.20 for the 135mm. It is a list price; the catalogue is undated but lists the Super DM of 1973. No Japanese list price has been found.
How to tell them apart (expand)
  • A very small lens with a 22.5 mm filter thread and a male microscope-objective thread at the back, no focusing ring and no distance scale; it weighs about 52 g (Paillard; Maxifiche)
  • Sold in a wooden case with two adapters: MT-1, a flat black disc, and MT-2, a tall black cone; both have the Topcon bayonet at the camera end (Paillard photograph; Topcon Club)
  • Aperture ring 3.5–16 with no automatic or semi-automatic coupling. The other Macro Topcors (58mm f/3.5, 135mm f/4 and the RE Macro Auto-Topcor 58mm f/3.5) all mount directly on the Topcon bayonet
  • Not a UV-mount lens for the leaf-shutter Topcons and not a Leica-thread Topcor

Macro-Topcor 30mm f/3.5, chrome (brass barrel):

  • Chrome-plated barrel with a black name ring at the front lettered in white, a knurled front section and an aperture ring scaled 3.5, 5.6, 8, 11, 16; Japan engraved on the barrel below the scale (Paillard catalogue photograph)
  • Heavier in the hand than its size suggests: Topcon Club says this version's barrel is brass
  • Shown on the flat MT-1 adapter in Topcon Club's photograph, beside the black version on the conical MT-2

Macro-Topcor 30mm f/3.5, black (aluminium barrel):

  • Black barrel; much lighter than the chrome lens, because Topcon Club says it is aluminium
  • Greenish coating on the glass, which Topcon Club compares with the RE GN Topcor 50mm
  • Its wooden case is a slightly different size from the chrome lens's case (Topcon Club)

Specifications

Formula
Six elements in four groups
Construction
6 elements / 4 groups
Aperture range
f/3.5–f/16
Weight
52 g
Filter
22.5 mm
Years manufactured
1967
Country
Japan
Original price
US$111.00 with MT1 and MT2 adapters and wooden case (Paillard Incorporated list price, catalogue no. 80670, undated; it lists the Super DM of 1973)

What reviewers say

History

The Macro Topcor 30mm f/3.5 is a small lens that Tokyo Kogaku made only for magnified close-ups with the Topcon focal-plane reflexes. It has no focusing ring and no distance scale. At the back is a microscope-objective thread, which Topcon Club gives as the 20.32 mm JIS/DIN thread now called RMS. Paillard says the lens interchanges with a microscope objective and that a microscope can serve as its focusing mount. It reaches the camera through one of two adapters with the Topcon bayonet, which Paillard sold with the lens in a wooden case. MT-1 is a flat disc and MT-2 a tall cone, narrow at the tip so that lights can be brought close to the subject. Paillard says the lens is computed for 2× to 12× and gives its best resolution at 3× to 5×. Paillard and Maxifiche, the French collectors’ sheet, agree on six elements, a 22.5 mm filter thread and 52 g. The diaphragm runs from f/3.5 to f/16 and has no coupling to the camera: Paillard calls it pre-set, Maxifiche a click diaphragm and Topcon Club a plain manual one.

Topcon Club, the Japanese collectors’ site, calls it the first Japanese lens made only for magnification, and says that for some time no other Japanese maker offered one. It notes that Leitz already had its Photars of 12.5 and 25 mm. According to Topcon Club, Topcon first announced a five-element, four-group design, and the lens went on sale around 1967 with six elements in four groups. The same report also says it appeared in the mid-1960s. Beseler’s US lens catalogue of 1966 lists the 58mm and 135mm Macro Topcors but not this one. Topcon Club adds that Hiraoka Takeo (平岡武夫), author of the Asahi Sonorama book Macro Technique, used the lens, and that many owners adapted its adapters to other makers’ cameras. In the United States, Paillard listed it with both adapters and the wooden case at US$111.00, a list price from a catalogue that also lists the Super DM of 1973.

The sources give different magnification ranges, depending on how the lens is set up. Topcon Club’s test report gives 1× with MT-1 alone on the camera, 3× with MT-2, and up to 9× with MT-2 on the Model IV bellows, with 2× to 5× recommended. Paillard gives 2× to 3× on the Variable Extension Tube and 2× to 12× on the Model IV bellows. Maxifiche gives 2× to 7× in its table and 2× to 10× in its text. The instruction manual for the IC-1, a UV-mount body outside this catalogue’s scope that took Topcon RE accessories through an adapter, prints 1.6× and 3.6× with MT-1 and MT-2 alone, and up to 9.6× with MT-2 and the bellows. Because the diaphragm is worked by hand, the lens behaves the same on every Topcon reflex. Paillard gives stop-down metering, and Topcon Club, which used it on a Super DM, says the TTL meter spares the exposure sums but that the built-in CdS meter may run out of light at high magnification. No source describes it on the RE-2, whose meter is coupled differently from the RE Super’s. On the R, RII, RIII and RS, which have no TTL meter, exposure needs a separate meter and Topcon Club’s rule for the effective aperture: the set f-number times the magnification plus one, so f/3.5 at 9× works as f/35. The RE200 and RE300 keep the same mount, and their instruction book lists the lens with stop-down metering. Topcon Club also advises an all-matte screen, because a split-image or microprism centre blacks out. At the highest magnifications the mirror cuts off part of the image. In its test, a 2,000-yen note shot at f/5.6 with MT-2 and the bellows on a Super DM was sharp and contrasty, with almost no falloff or smearing in the corners, though Topcon Club adds that some subjects show slight smearing at the edges.

There are two versions. The usual one has a chrome barrel, which Topcon Club says is plated brass, with a black name ring at the front. The black version is much lighter, because Topcon Club says its barrel is aluminium. It has a greenish coating like that of the RE GN Topcor 50mm and comes in a slightly different wooden case. Topcon Club calls it very rare. Its two pages date it differently: one says it was made from 1972, the other says the barrel turned aluminium in the 1970s and a few black lenses followed in the Super DM era. When buying, check that MT-1 and MT-2 and the wooden case come with the lens, because without an adapter it will not mount on a camera. Look at the tiny front element for scratches and haze, and check that the aperture ring clicks through its stops and the blades close evenly. Do not confuse this lens with the other Macro Topcors (the 58mm f/3.5, the 135mm f/4 and the RE Macro Auto-Topcor 58mm f/3.5), which are larger and fit the Topcon bayonet directly. The leaf-shutter Topcons (PR, Wink Mirror, Uni, Unirex) take UV-mount lenses and are not covered here.

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This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.

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