Auto-Topcor / RE Auto-Topcor 10cm (100mm) f/2.8

Topcon · Exakta · 1957

via machine translation — corrections welcome

Also known as: Auto-Topcor 10cm f/2.8 · Auto-Topcor 10cm f2.8 · Auto Topcor 10cm f2.8 · Auto-Topcor 1:2.8 f=10cm · Auto-Topcor 100mm f2.8 · Auto-Topcor 100mm f/2.8 · Auto Topcor 100mm f2.8 · Auto Topcor 100 2.8 · RE Auto-Topcor 100mm f/2.8 · RE Auto-Topcor 100mm f2.8 · RE Auto Topcor 100mm f2.8 · RE Auto Topcor 100mm f/2.8 · RE.Auto-Topcor 100mm f2.8 · RE.Auto-Topcor 1:2.8 f=100mm · RE.Auto-Topcor 1:2.8 f=10cm · RE Auto-Topcor 1:2.8 f=100mm · RE,Auto-Topcor 1:2,8 f=10cm · RE,Auto-Topcor 1:2,8 f=100mm · RE Auto-Topcor 1:2,8 f=100mm · RE Auto-Topcor 10cm f/2.8 · RE Auto Topcor 10cm f2.8 · REAuto Topcor 100mm f2.8 · REAuto-Topcor 100mm f2.8 · RE Auto Topcor 2.8/100 · RE Auto Topcor 100 2.8 · RE Topcor 100mm f2.8 · RE Topcor 2.8/100mm · Topcon RE Auto-Topcor 100mm f2.8 · Topcon RE Auto Topcor 100mm f/2.8 · Topcon 100mm f2.8 RE Auto Topcor · Topcon 100mm f/2.8 RE Auto-Topcor · Topcon 100mm f2.8 RE.Auto-Topcor · Topcon 10cm 100mm f2.8 RE Auto Topcor · Topcon Auto-Topcor 100mm f2.8 · Topcon Auto Topcor 10cm f2.8 · Tokyo Kogaku RE Auto-Topcor 100mm f2.8 · Tokyo Kogaku Auto-Topcor 10cm f2.8 · Topcon 100mm f2.8 · Topcon 100mm f/2.8 · Topcon 100mm 1:2.8 · Topcon 10cm f2.8 · Topcon 2.8/100 · Topcon 2.8/100mm · Topcon Topcor 100mm f2.8 · Topcor 100mm f2.8 · Beseler Topcon 100mm f2.8 · Beseler Topcor 100mm f2.8 · Beseler Topcor Automatic 100mm f2.8 · F Auto-Topcor 10cm f/2.8 · F Auto Topcor 100mm f2.8 · F.Auto-Topcor 100mm f2.8 · F.Auto-Topcor 1:2.8 f=10cm · F-Auto Topcor 10cm f2.8 · H-F Auto Topcor 100mm f2.8 · REオートトプコール 100mm F2.8 · RE オートトプコール 100mm F2.8 · REオートトプコール 10cm F2.8 · オートトプコール 100mm F2.8 · オートトプコール 10cm F2.8 · Fオートトプコール 100mm F2.8 · トプコン 100mm F2.8 · トプコール 10cm F2.8 · トプコール 100mm F2.8 · トプコン RE Auto-Topcor 100mm F2.8 · トプコン REオートトプコール 100mm F2.8 · トプコン オートトプコール 10cm F2.8

Variants & identification

Variant Mount Years Serial ranges Production
Auto-Topcor 1:2.8 f=10cm, semi-automatic (Topcon R) Exakta 1957–1960 — —
Auto-Topcor 10cm f/2.8, Autokinon type Exakta 1959–1960 — —
F.Auto-Topcor 10cm f/2.8 (Automatic R / RII, RIII, RS) Exakta 1960–1963 75xxxx, six digits (Topcon Club, which says the F Auto and H-F Auto 10cm share the block) —
H-F Auto-Topcor 10cm f/2.8 (RS, 1962–63) Exakta 1962–1963 75xxxx, mixed in with the late F Auto-Topcors (Topcon Club) —
RE Auto-Topcor 10cm / 100mm f/2.8, chrome Exakta 1963–1972 7500001 to 7508333 last known, engraved f=10cm at first and f=100mm later (Topcon Story list quoted on MFlenses); 7503348 is reported engraved f=10cm, 75081xx f=100mm —
RE Auto-Topcor 100mm f/2.8, black Exakta 1963–1976 7510001 to 7516194 last known, engraved RE AUTO TOPCOR 1:2,8 f=100mm TOKYO KOGAKU (Topcon Story list quoted on MFlenses) —
RE Auto-Topcor N 100mm f/2.8 (U.S. Navy) Exakta — 75085xx to 7508918 last known, chrome, engraved RE,Auto-Topcor N 1:2,8 f=100mm (Topcon Story list quoted on MFlenses) —
  1. Specifications. Maxifiche: Auto-Topcor and F Auto-Topcor 5 elements, 24.5°, f/2.8–22, 1.1 m, 49 mm; RE Auto-Topcor 5 elements, 24°, 1.2 m, bayonet hood, 49 mm, 265 g. Beseler (1966): 5 elements, 24.5°, 4 ft, f/22, 10 oz. Paillard: 5 elements, 24.5°, 4 ft, 10 oz (280 g). Three groups and six blades are the figures of Kamerastore, a dealer; AllPhotoLenses also gives six blades and 280 g. stevemark and cbass, in the same MFlenses thread, give 265 g. No source gives the optical type.
  2. One design throughout. Topcon Club says the Auto-Topcors kept their basic construction, with new coatings, barrels, diaphragms and mounts, until the RE Topcor N series of the mid-1970s, that the F Auto lens design is unchanged from the 1957 Auto-Topcor, and that the 100mm in particular is a long-lived lens descended from the 1957 Auto-Topcor for the R. Maxifiche gives every version 5 elements. Close focus differs: 1.1 m on the pre-RE lenses, 1.2 m on the RE lens.
  3. The RE Super, RE-2 (Beseler D-1), Super D and Super DM: the RE Auto-Topcor meters at full aperture on all of them. For the F Auto-Topcor the sources disagree: Maxifiche says it must not be used on these four bodies because its coupling finger turns the opposite way; Topcon Club says that unmodified on an RE Super it meters stopped down, and believes that the chrome-barrelled F Autos it has seen were converted to RE by the factory for a fee. The semi-automatic and Autokinon lenses were made for the plunger release of the R; Hugo Ruys says they work on the later Topcons only with a shutter-button extension rod.
  4. The RE200 and RE300 (1977–78): their instruction book's table of Topcor lenses does not list the 100mm f/2.8, so it was probably no longer in the catalogue. Hugo Ruys puts these bodies on the same final version of the Topcon bayonet as the RE Super, so the RE lens fits and should meter at full aperture; no source describes the combination. The earlier versions carry the cautions in note ³.
  5. The Topcon R: its body has no diaphragm mechanism (Topcon Club: the stop-down lever came into the body with the RII of 1960), so only the semi-automatic and Autokinon lenses work their diaphragm on it. No source says whether an F Auto, H-F or RE lens fits the R; if one does, nothing in the body closes its diaphragm, so it can be used only at full aperture. Hugo Ruys notes that just one of the fully automatic Topcon rear mounts he found can be used on the R. The RII, RIII and RS: the F Auto and H-F lenses are theirs. No source describes an RE lens on the RII or RIII, or the semi-automatic lens on the RII–RS. The links stay with these limits.
  6. Exakta bodies: Maxifiche calls the R's bayonet the Exakta's. Topcon Club says that because Topcon put its release on the other side, a lens with an external preset arm loses that function when moved between Topcon and Exakta bodies. Hugo Ruys says the semi-automatic Topcon lenses can be used on an Exakta, and Exakta lenses on a Topcon, 'in a clumsy way only'. No source describes the fully automatic F Auto or RE lenses on an Exakta.
  7. Dates. The R was announced in December 1957 (Topcon Club). Maxifiche dates the F Autos 1960–62; the RS was sold until the RE Super of 1963. For the RE lens, Topcon Club's English text says it spanned the first RE Super to the last Super DM, while Wikipedia's Topcon RE Super article and Kamerastore give 1965; the Beseler catalogue of 1966 is the earliest dated listing found. Topcon Club's page on the H-F lenses puts the RE Auto-Topcor on sale in mid-1963. Topcon Club's Japanese text dates the RII to July 1960; its English summaries give 1959 for the RII and the F Autos. Topcon Club says production of the RE300, the last of the line, ended in 1980.
  8. Prices: no Japanese list price for the lens has been found. The only figure is Paillard's US list price of US$167.25 with hood and leather case (no. 80580), in an undated catalogue that lists the Super DM of 1973, so it is not a launch price.
How to tell them apart (expand)
  • Engraved 1:2.8 f=10cm (later f=100mm) and Tokyo Kogaku: Auto-Topcor on the semi-automatic and Autokinon lenses, F.Auto-Topcor or H-F Auto-Topcor on the RII–RS lenses, RE,Auto-Topcor or RE AUTO TOPCOR on the RE lenses
  • 49 mm filter thread, five elements, close focus of 1.1–1.2 m (4 ft). A Topcor 100mm with f/4 on the ring is the UV Topcor of the leaf-shutter Topcons, a different lens on a different mount
  • Exakta-type inner bayonet, with the release on the opposite side to an Exakta's (Topcon Club; Maxifiche)

Auto-Topcor 1:2.8 f=10cm, semi-automatic (Topcon R):

  • An external arm and release plunger stand out from the barrel on the side of the Topcon release, the opposite side to an Exakta lens's; the arm is pushed down to open and cock the diaphragm, and the body's release, pressing the plunger, closes it (Topcon Club; Maxifiche)
  • The cover round the release plunger is gold on the 10cm (emerald green on the 3.5cm, silver on the 5.8cm), so the focal length can be told at a glance (Topcon Club)
  • Two-stage telescoping hood held by teeth in slots cut in the front of the barrel, not by the later bayonet; it reverses over the lens for storage (Topcon Club). Beseler listed it as hood BT-19, 'for Topcon B'
  • Focuses to 1.1 m, against 1.2 m on the RE lens (Maxifiche)

Auto-Topcor 10cm f/2.8, Autokinon type:

  • No cocking arm: the diaphragm closes as the release plunger is pressed and opens again as it is let go, like Steinheil's Auto-Quinon (Topcon Club)
  • Otherwise the same optics and outward design as the semi-automatic lens, with the same gold release cover (Topcon Club)

F.Auto-Topcor 10cm f/2.8 (Automatic R / RII, RIII, RS):

  • No external arm or plunger: the diaphragm is closed by a lever inside the body's bayonet (Maxifiche; Topcon Club)
  • Black barrel with a rubber-covered grip band and a distance scale that turns inside a clear plastic window (Maxifiche; Topcon Club)
  • Bayonet lens hood, the same shape as the later RE hood (Topcon Club); Beseler's BT-19C 'for Topcon C and D'
  • A diaphragm coupling finger at the rear that turns the opposite way to an RE Auto-Topcor's (Maxifiche)

H-F Auto-Topcor 10cm f/2.8 (RS, 1962–63):

  • Named H-F Auto-Topcor; otherwise made almost exactly like the F Auto-Topcor (Topcon Club)
  • Grainy plating at the front, like the RIII and RS bodies; the cyan coating reflection only slightly stronger than on an F Auto, which Topcon Club thinks may be no more than age (Topcon Club)
  • No protector thread at the mount end, unlike the H-F Auto-Topcor 5.8cm (Topcon Club)

RE Auto-Topcor 10cm / 100mm f/2.8, chrome:

  • Satin-chrome barrel with a mirror-plated ring at the front of the barrel, about which Topcon Club says many users worried over stray reflections
  • Engraved RE,Auto Topcor 1:2.8 f=10cm Tokyo Kogaku Japan, later f=100mm; seven-digit serial beginning 75
  • Bayonet hood that reverses over the lens for storage; focuses to 1.2 m (4 ft)
  • Looks much like the chrome 58mm f/1.8 and 35mm f/2.8; Topcon Club says the 35mm's aperture ring was painted black to tell them apart, so a chrome 100mm keeps a chrome aperture ring

RE Auto-Topcor 100mm f/2.8, black:

  • Black barrel. Black lenses of the RE Super years keep the mirror-plated front ring of the chrome lens; from 1972 the ring is black and its recess slightly shallower, otherwise the construction is almost unchanged (Topcon Club)
  • Late lenses engraved in capitals RE AUTO TOPCOR 1:2,8 f=100mm TOKYO KOGAKU, with no Japan; seven-digit serial beginning 751
  • Some late black lenses carry an infinity lock on the focusing ring: the forum list records it from 7510203; Topcon Club describes an infinity stop on the later U.S. Navy lenses

RE Auto-Topcor N 100mm f/2.8 (U.S. Navy):

  • A red N after RE AUTO-TOPCOR on the name ring; the N stands for Navy, not the later N-series lenses (Topcon Club)
  • A projecting tab on the focusing ring to work it with a finger; no infinity stop on this lens, unlike later Navy lenses (Topcon Club)
  • Slightly different coating: Topcon Club's example lacks the magenta layer seen beside amber and cyan on its ordinary lens, perhaps only a change by year

Serial-range notes

75xxxx (six digits): F Auto and H-F Auto-Topcor 10cm
Topcon Club says the H-F Auto 10cm's serials begin 75 and do not differ from the F Auto's. No serial range is known for the semi-automatic or Autokinon lenses.
75xxxxx (seven digits): RE Auto-Topcor, Topcon code 75B
From the list compiled on MFlenses from Antonetto and Russo's Topcon Story: 7500001 to 7508333 chrome, engraved f=10cm and later f=100mm; Navy N lenses 75085xx to 7508918; black capital-letter lenses 7510001 to 7516194. As on the other Topcors, a serial does not settle the version on its own: read the name ring.

Specifications

Construction
5 elements / 3 groups
Aperture range
f/2.8–f/22
Diaphragm blades
6
Min. focus
1.2 m
Weight
265 g
Filter
49 mm
Years manufactured
1957
Country
Japan
Original price
US$167.25 for the RE Auto-Topcor 100mm f/2.8 with bayonet hood and leather case (Paillard Incorporated list price, catalogue no. 80580, undated; it lists the Super DM of 1973)

What reviewers say

History

The Auto-Topcor 10cm f/2.8 was the short telephoto Tokyo Kogaku offered with the Topcon R from its launch in December 1957. Under new names, mechanisms and finishes the same five-element lens stayed in the catalogue for the rest of the Exakta-bayonet Topcons. Topcon Club, the Japanese collectors’ site, calls it a long-lived lens, descended directly from the 1957 lens. Maxifiche, the French collectors’ sheet, gives every version five elements, an angle of view of about 24° and a 49 mm filter. The pre-RE lenses focus to 1.1 m and the RE lens to 1.2 m (4 ft). Kamerastore, a dealer, gives three groups. The lens is compact for its focal length, about 265 g.

There are four mechanisms. The first lens has a semi-automatic diaphragm, as the Exakta’s lenses do. An arm on the side is pushed down to cock it, and the body’s release, pressing a plunger on the lens, closes it for the exposure. It stays closed until the arm is pushed again. The release sits on the other side from the Exakta’s, so the two makers’ lenses work on each other’s bodies only clumsily. On the 10cm the cover round the plunger is gold, and the two-stage telescoping hood locks into slots in the barrel. In 1959 an Autokinon type without the arm followed, made at the request of Topcon’s American side and sold in small numbers, mostly abroad. The Automatic R (RII) of 1960 put a stop-down lever in the body, and the lens became the F.Auto-Topcor, with a rubber grip band, a distance scale under a clear window and a bayonet hood. Lenses made around 1962–63 for the RS are engraved H-F Auto-Topcor; Topcon Club traces the name to a Hitachi order for the standard lens. The RE Auto-Topcor followed for the RE Super of 1963, the version that meters at full aperture. Topcon Club places it in the first RE Super line-up of mid-1963, while Wikipedia and Kamerastore date it 1965. It came first in satin chrome with a mirror-plated front ring and was engraved f=10cm, later f=100mm. Black lenses were made alongside for the black bodies. From the Super D of 1972 the lens is black all over, with a black, slightly shallower front ring. A chrome version with a red N after the name and a finger tab on the focusing ring was made for the U.S. Navy.

The RE Auto-Topcor comes in chrome or black. Topcon Club says the Autokinon type was sold only in small numbers and that the F Autos are hard to find at all. Opinion on the optics is consistent. Topcon Club calls it an unassuming lens that renders crisply and says the period’s test reports all gave it excellent figures. Stephan (stevemark) of the MFlenses forum found it excellent in the centre wide open on a full-frame sensor, with a trace of softness in the far corners that has gone by f/5.6.

When buying, start with the name ring. Check which body the lens is going on. RE versions meter at full aperture on every body from the RE Super to the Super DM; the RE200/RE300 book of 1977–78 no longer lists the 100mm, but those bodies keep the same bayonet. An F Auto-Topcor’s coupling finger turns the other way. Maxifiche says it must not go on an RE body, while Topcon Club says it simply meters stopped down there. The semi-automatic lens needs the R’s plunger release, or an extension rod on later bodies. The original R has no diaphragm drive of its own, so an F Auto or RE lens, if it fits, would stay wide open. Work the diaphragm by hand: on an RE or F Auto lens, push the stop-down lever at the rear and watch the blades close briskly and reopen. A Topcor 100mm marked f/4 is the UV Topcor of the leaf-shutter Topcons, on a different mount, and the R Topcor 9cm f/3.5 sold beside the first Auto-Topcor is a separate preset lens.

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This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.

Example photos

Sample photo wanted — shot with a Auto-Topcor / RE Auto-Topcor 10cm (100mm) f/2.8? We'd love to feature it (with credit).

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