Planar 80mm f/2.8 (Rolleiflex)

Carl Zeiss · Rolleiflex TLR · 1954

Also known as: Rolleiflex 2.8F Planar · Rolleiflex 2.8F Planar 80mm f/2.8 · Rolleiflex 2.8E Planar · Rolleiflex 2.8C Planar · Rolleiflex 2.8D Planar · Rolleiflex 2.8GX Planar HFT · Rolleiflex 2.8FX Planar 80mm F2.8 · Rolleiflex 2.8FX-N S-Apogon · Carl Zeiss Planar 80mm f2.8 Rolleiflex · Rollei Planar 2.8/80 HFT · ローライフレックス 2.8F プラナー · ローライフレックス 2.8F プラナー 80mm F2.8 · ローライフレックス 2.8GX プラナー · ローライフレックス 2.8FX プラナー HFT

Variants & identification

Variant Mount Years Serial ranges Production
Planar 80/2.8 on the Rolleiflex 2.8C, 2.8D, 2.8E and 2.8F (1954–1981) Rolleiflex TLR 1954–1981 camera bodies 1600000–1620999 (2.8D), 1621000–1665999 (2.8E), per ja.wikipedia —
Planar 80/2.8 HFT on the Rolleiflex 2.8GX and 2.8FX (1987–2012) Rolleiflex TLR 1987–2012 — —
S-Apogon 80/2.8 HFT on the Rolleiflex 2.8FX-N (2012–2015) Rolleiflex TLR 2012–2015 — —
  1. Elements: five, from antiquecameras.net for the 2.8C's Planar and from Dusty Grain's 2.8F review (5 elements in 4 groups, 'late type 2'). The family `elements` is set to 5 on that evidence; `groups` is left empty because the one four-group figure is a single blog statement. A six-element late 2.8F Planar is asserted in dealer listings (Flashback Camera among them) and forum copy only; antiquecameras.net, which gives the exact switch serials for the six-element 75 mm Planar and Xenotar, says nothing of the sort for the 80 mm and calls the late 3.5E/3.5F 'the only Rolleiflex TLRs with a six-element normal lens'. Treat a 'six-element 2.8F' description as unproven.
  2. Years: Planar offered on the 2.8C in 1954 with no date for the first unit (antiquecameras.net); 2.8F sold until 1981 with either lens (antiquecameras.net); 2.8GX from 1987 and 2.8FX from 8 March 2001 (ja.wikipedia); FX-N 2012–2015 (en.wikipedia). The family end date is the end of FX-N production.
  3. Diaphragm: ten blades on the 2.8C (Camera Legend; Japanese Wikipedia), five on later classic cameras by common description, not confirmed by a page read here; the HFT lenses' blade count was not found. `blades` left empty.
  4. Minimum focus: 0.9 m for the 2.8F (Dusty Grain), 1 m for the 2.8GX (retailer specification via search). Neither is a maker's figure; `mfd_m` left empty.
  5. Shutter: Compur-Rapid MXV (2.8C, 2.8D), Synchro-Compur MXV (2.8E, 2.8F), 1s–1/500 and B, with flash synchronisation at all speeds (Dusty Grain for the 2.8F). The GX's Synchro-Compur 1s–1/500 is a retailer figure. The 2.8FX's shutter maker is not confirmed by a source read here; its sister 4.0FT of 2011 has a Copal (DC Watch), which may apply to the FX as well.
  6. Reception: antiquecameras.net summarises Modern Photography's 1953–1963 tests as finding Planar and Xenotar similar, a 1963 summary giving the Planar the better edges and the Xenotar the better centre; the Planar was priced about 5% above the Xenotar.
  7. Weights: 1,275 g is the whole 2.8FX camera (ja.wikipedia), not the lens; Dusty Grain's 1.25 kg is likewise the 2.8F body. No lens weight exists for a fixed taking lens.
How to tell them apart (expand)
  • A fixed taking lens below a Heidosmat viewing lens on a Rolleiflex 2.8C, 2.8D, 2.8E, 2.8F, 2.8GX, 2.8FX or 2.8FX-N; the front ring reads Carl Zeiss Planar 1:2,8 f=80mm (classic), Rollei HFT Planar 2,8/80 (GX, FX) or S-Apogon HFT 2,8/80 (FX-N), inside the Bay III bayonet
  • The alternative on the four classic bodies is the Schneider Xenotar 80mm f/2.8, named on its own ring; the GX, FX and FX-N were never offered with a Xenotar
  • Not the Hasselblad Planar 80mm f/2.8, the Rollei SL66 Planar 80 or the SLX/6000 Planar 80 HFT, all removable bayonet lenses, nor the Leica-thread 'Rollei Planar 80mm HFT' reissue of the 2000s, which is a separate product

Planar 80/2.8 on the Rolleiflex 2.8C, 2.8D, 2.8E and 2.8F (1954–1981):

  • Front ring reads Carl Zeiss Planar 1:2,8 f=80mm with a seven-digit Zeiss serial; single-coated, on a 2.8C, 2.8D, 2.8E (E, E2, E3) or 2.8F body
  • Ten-blade diaphragm on the 2.8C only (Camera Legend; Japanese Wikipedia); Compur-Rapid MXV on the C and D, Synchro-Compur MXV on the E and F

Planar 80/2.8 HFT on the Rolleiflex 2.8GX and 2.8FX (1987–2012):

  • Front ring reads Rollei HFT Planar (or Planar HFT) 2,8/80 with Made by Rollei; the camera is a 2.8GX (built-in TTL meter, 1987 on) or a 2.8FX (2001 on)
  • Multicoated: coloured reflections rather than the single pale bloom of the classic lens

S-Apogon 80/2.8 HFT on the Rolleiflex 2.8FX-N (2012–2015):

  • Front ring reads S-Apogon HFT 2,8/80 instead of Planar; the camera is a 2.8FX-N of DHW Fototechnik, after the Zeiss name was dropped

Specifications

Formula
Planar: a five-element double-Gauss derivative (antiquecameras.net for the 2.8C lens; Dusty Grain gives 5 elements in 4 groups for the 2.8F); whether any late lens had six elements is unproven
Construction
5 elements
Aperture range
f/2.8
Shutter
Compur-Rapid MXV on the 2.8C and 2.8D, Synchro-Compur MXV on the 2.8E and 2.8F; Synchro-Compur on the 2.8GX; 1s–1/500, B
Filter
Bay III
Years manufactured
1954–2015
Country
West Germany

What reviewers say

History

The Planar 80mm f/2.8 is the Carl Zeiss taking lens of the Rolleiflex 2.8 series, and the lens most people mean when they say “a Rolleiflex”. Zeiss Oberkochen offered it to Franke & Heidecke in 1954 as an alternative to the Schneider Xenotar that had launched the 2.8C two years earlier, and from then on every 2.8C, 2.8D, 2.8E and 2.8F could be had with either name on the front ring. It is a five-element double-Gauss derivative, the post-war Planar type: antiquecameras.net gives five elements for the 2.8C lens, and Dusty Grain’s review of the 2.8F gives five elements in four groups, focusing to 0.9 m. It sat behind a Compur-Rapid MXV on the C and D and a Synchro-Compur MXV on the E and F, 1 s to 1/500 with B and flash at every speed, and it took Bay III filters and hoods. The 2.8C’s ten-blade diaphragm gave way to a simpler one on the later cameras.

The lens outlived the classic Rolleiflex. When Rollei revived the twin-lens camera in 1987 as the 2.8GX, the Planar came back, now made under Zeiss licence with Rollei’s HFT multicoating and engraved Rollei HFT Planar; the 2.8FX of 2001 kept it, and the last cameras, the 2.8FX-N of DHW Fototechnik from 2012 to 2015, carry a lens engraved S-Apogon 80mm f/2.8 HFT instead. Nothing read for this page says what, if anything, changed inside the S-Apogon; the simplest reading is a Planar under a house name once the Zeiss licence ended, which is why it appears here as a variant rather than as a lens of its own. Over 61 years and seven body names the formula seems to have stayed a five-element Planar. The six-element Planar that collectors hunt is the 75mm f/3.5 of the late 3.5E and 3.5F, where antiquecameras.net gives the exact serial of the change; the same site calls those the only Rolleiflex TLRs with a six-element normal lens, and a listing that promises a “six-element 2.8F Planar” should be read with that in mind.

In use the two coatings behave differently. Geoff Chaplin, shooting a 2.8GX beside a 2.8F for 35mmc in 2024, found the GX’s modern coatings gave a sharper, more contrasty image and the F’s single-coated lens a softer look that he preferred for portraits, and a 2.8GX owner on a forum found flare on the HFT lens very well controlled. Jorge Ferrufino of Dusty Grain found the 2.8F’s Planar exceptionally sharp with excellent contrast and no visible vignetting, with distortion correction that weakens at close distances; Sam of Camera Legend, comparing against his 2.8C Xenotar, found a Planar just as sharp but lower in contrast and blamed sample condition rather than Zeiss. The two designs were priced about 5% apart and tested alike in Modern Photography’s reports of the 1950s and 60s, with the Planar credited with better edges and the Xenotar a better centre on a small sample.

Prices follow the body: Dusty Grain puts a 2.8F at $2,000 to $5,000 depending on condition and accessories, and Camera Legend’s 2.8C figures are lower. Because the lens never comes off, a buyer is checking the whole camera: balsam separation and haze in the taking lens, the matching of taking and viewing lenses, the slow speeds of the Compur, and on the F the selenium meter. The sister pages cover the Xenotar on the same four classic bodies, the 75mm f/3.5 Planar of the 3.5E and 3.5F, and the removable Planar 80s Zeiss made for the Hasselblad, the Rollei SL66 and the SLX/6000 cameras, which share the name and the formula type but not a single part.

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This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.

Example photos

Sample photo wanted — shot with a Planar 80mm f/2.8 (Rolleiflex)? We'd love to feature it (with credit).

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