Bodies · Medium format

Cameras for 120 film: the Hasselblad, Mamiya and Pentax systems, with their leaf-shutter and focal-plane lenses. 60 families across 3 systems, in the order they appeared.

Hasselblad

Everything Hasselblad built for 120 film: the 6×6 V system from the 1600F of 1948 onward with its Zeiss and Schneider glass, the Ross-built military cameras of 1940–45 where the company began, and the autofocus H system of 2002.

Ross military

Hasselblad (Ross) HK 7 — Hasselblad Ross mount · 1941 · 1 variant
Hasselblad (Ross) SKa 4 — Hasselblad Ross mount · 1942 · 2 variants
Hasselblad (Ross) MK 80 m/43 — Hasselblad Ross mount · 1943 · 1 variant
Hasselblad (Ross) SKa 5 — Hasselblad Ross mount · 1943 · 1 variant

1600F and 1000F

Hasselblad 1600F — Hasselblad 1600F mount · 1948 · 6×6 on 120 · 2 variants
Hasselblad 1000F — Hasselblad 1600F mount · 1953 · 6×6 on 120 · 3 variants

Superwide

Hasselblad SWA / SW (Supreme Wide Angle / Super Wide) — Fixed lens · 1954 · 6×6 on 120 · 2 variants
Hasselblad SWC — Fixed lens · 1959 · 6×6 on 120 · 4 variants
Hasselblad SWC/M — Fixed lens · 1980 · 6×6 on 120 · 3 variants
Hasselblad 903SWC — Fixed lens · 1988 · 6×6 on 120 · 3 variants
Hasselblad 905SWC — Fixed lens · 2001 · 6×6 on 120 · 1 variant

500 series

Hasselblad 500C — Hasselblad V mount · 1957 · 6×6 on 120 · 3 variants
Hasselblad 500C/M — Hasselblad V mount · 1970 · 6×6 on 120 · 5 variants
Hasselblad 503CX — Hasselblad V mount · 1988 · 6×6 on 120 · 3 variants
Hasselblad 500 Classic — Hasselblad V mount · 1990 · 6×6 on 120 · 1 variant
Hasselblad 501C — Hasselblad V mount · 1994 · 6×6 on 120 · 1 variant
Hasselblad 503CXi — Hasselblad V mount · 1994 · 6×6 on 120 · 2 variants
Hasselblad 503CW — Hasselblad V mount · 1996 · 6×6 on 120 · 8 variants
Hasselblad 501CM — Hasselblad V mount · 1997 · 6×6 on 120 · 2 variants

EL series

Hasselblad 500EL — Hasselblad V mount · 1965 · 6×6 on 120 · 3 variants
Hasselblad 500EL/M — Hasselblad V mount · 1970 · 6×6 on 120 · 5 variants
Hasselblad 500ELX — Hasselblad V mount · 1984 · 6×6 on 120 · 2 variants
Hasselblad 553ELX — Hasselblad V mount · 1988 · 6×6 on 120 · 3 variants
Hasselblad 555ELD — Hasselblad V mount · 1998 · 6×6 on 120 · 2 variants

Photogrammetric

Hasselblad MK70 — Fixed lens · 1974 · 6×6 on 70mm · 1 variant
Hasselblad MKWE — Fixed lens · 1989 · 2 variants

2000 series

Hasselblad 2000FC — Hasselblad V mount · 1977 · 6×6 on 120 · 2 variants
Hasselblad 2000FC/M — Hasselblad V mount · 1981 · 6×6 on 120 · 3 variants
Hasselblad 2000FCW — Hasselblad V mount · 1984 · 6×6 on 120 · 2 variants
Hasselblad 2003FCW — Hasselblad V mount · 1988 · 6×6 on 120 · 2 variants

200 series

Hasselblad 205TCC — Hasselblad V mount · 1991 · 6×6 on 120 · 3 variants
Hasselblad 201F — Hasselblad V mount · 1994 · 6×6 on 120 · 1 variant
Hasselblad 203FE — Hasselblad V mount · 1994 · 6×6 on 120 · 5 variants
Hasselblad 205FCC — Hasselblad V mount · 1995 · 6×6 on 120 · 2 variants
Hasselblad 202FA — Hasselblad V mount · 1998 · 6×6 on 120 · 2 variants

FlexBody and ArcBody

Hasselblad FlexBody — Hasselblad V mount · 1995 · 6×6 on 120 · 1 variant
Hasselblad ArcBody — Hasselblad V mount · 1997 · 6×6 on 120 · 1 variant

H system

Hasselblad H1 — Hasselblad H mount · 2002 · 6×4.5 on 120 · 2 variants
Hasselblad H2 — Hasselblad H mount · 2005 · 6×4.5 on 120 · 1 variant
Hasselblad H2F — Hasselblad H mount · 2007 · 6×4.5 on 120 · 1 variant

Mamiya

The studio and wedding cameras of Japan from 1970 to the end of film: the revolving-back RB67 and RZ67, the 645 that put medium format in a 35mm-sized body and the autofocus 645 AF that carried it into the digital-back years, the Press cameras, the interchangeable-lens C-series twin-lens reflexes, and the Mamiya 6 and 7, the rangefinders that made 6×6 and 6×7 hand-holdable.

C series

Mamiyaflex C / C2 — Mamiya TLR mount · 1956 · 6×6 on 120 · 2 variants
Mamiya C3 / C33 — Mamiya TLR mount · 1962 · 6×6 on 120 · 2 variants
Mamiya C22 — Mamiya TLR mount · 1966 · 6×6 on 120 · 1 variant
Mamiya C220 — Mamiya TLR mount · 1968 · 6×6 on 120 · 2 variants
Mamiya C330 — Mamiya TLR mount · 1969 · 6×6 on 120 · 3 variants

Mamiya

Mamiya Universal Press — Mamiya Press mount · 1960 · 6×9 on 120 · 1 variant
Mamiya RB67 — Mamiya RB67 mount · 1970 · 6×7 on 120 · 3 variants
Mamiya M645 — Mamiya 645 mount · 1975 · 6×4.5 on 120 · 3 variants
Mamiya RZ67 — Mamiya RZ67 mount · 1982 · 6×7 on 120 · 3 variants
Mamiya 6 (1989) — Mamiya 6 mount · 1989 · 6×6 on 120 · 2 variants
Mamiya 7 — Mamiya 7 mount · 1995 · 6×7 on 120 · 1 variant
Mamiya 7 II — Mamiya 7 mount · 1999 · 6×7 on 120 · 1 variant

Mamiya Press

Mamiya Press (Mamiya Press Deluxe (US, 1962), Revue Press (Foto-Quelle, Germany)) — Mamiya Press mount · 1960 · 6×9 on 120 · 4 variants
Mamiya Press Super 23 — Mamiya Press mount · 1967 · 6×9 on 120 · 1 variant

645 second generation

Mamiya 645 Super / Pro / Pro TL — Mamiya 645 mount · 1985 · 6×4.5 on 120 · 3 variants
Mamiya 645E — Mamiya 645 mount · 2000 · 6×4.5 on 120 · 1 variant

645 autofocus

Mamiya 645 AF / AFD (Phase One 645 AF) — Mamiya 645 AF mount · 1999 · 6×4.5 on 120 · 4 variants

Pentax medium format

A 35mm SLR scaled up to 6×7: the Asahi Pentax 6×7 of 1969, the 67 and the 67II, and the 645 of 1984 that gave medium format a motor, a meter and a grip in one body.

Pentax 6×7 / 67 — Pentax 67 mount · 1969 · 6×7 on 120 · 3 variants
Pentax 645 — Pentax 645 mount · 1984 · 6×4.5 on 120 · 3 variants
Pentax 67II — Pentax 67 mount · 1998 · 6×7 on 120 · 1 variant