Nikkor-Q(·C) 13.5cm f/4

Nippon Kogaku · Nikon S + LTM · 1946

Also known as: Nikkor 13.5cm f/4 · Nikkor 135mm f/4 · Nikkor-Q·C 13.5cm f/4 · Nikkor-Q.C 13.5cm f/4 · Nikkor-QC 13.5cm f4 · Nikkor-Q 13.5cm f/4 · Nikkor-Q 135mm f/4 · Nippon Kogaku 13.5cm f/4 · 13.5cm f4 · Nikkor-Q 135mm f/4 Bellows · Nikkor-Q 135mm f/4 Short Mount

Variants & identification

Variant Mount Years Serial ranges Production
Rigid rangefinder-coupled, Nikon S (1948) · Telephoto Sonnar type, 4e/3g (close derivative of the Zeiss Sonnar 13.5cm f/4) Nikon S 1948–1951 6111–611232 (first block, 611 prefix + sequence; S mount, from November 1948)
9041–904766 (shared with the Leica-thread lens, from December 1949)
523711–524028 (shared with the Leica-thread lens, December 1950–1951)
~1,300 serial-derived (232 + 766 + 318 across the three blocks)
Rigid rangefinder-coupled, Leica screw mount (1947) · Telephoto Sonnar type, 4e/3g — the same optical unit as the S-mount lens LTM 1947–1951 9041–904766 (December 1949 onward; Leica-thread lenses sit inside the S-mount block, not in a run of their own)
523711–524028 (December 1950–1951, likewise shared)
No figure: the Leica-thread lenses were numbered inside the S-mount blocks, so the ~1,300 serial-derived total covers both fits. The 1947 lenses that preceded the 611 block have no serial record here.
Bellows short mount (1958/59) · Tessar type, 4e/3g Nikon S 1959–1968 578001–579054 (engraved 13.5cm)
579082–580610 (engraved 135mm)
~2,600 serial-derived (1959–1968)
How to tell them apart (expand)

Rigid rangefinder-coupled, Nikon S (1948):

  • Q = four elements, ·C = coated in the Nikkor lettering scheme; all blocks marked Nippon Kogaku Tokyo
  • 'Made in Occupied Japan' engraved on the rangefinder-coupling cam of S-mount examples — hidden inside the barrel
  • Tripod foot under the barrel; no click-stops on the aperture ring

Rigid rangefinder-coupled, Leica screw mount (1947):

  • Leica thread with a rangefinder-coupling cam; the whole front barrel turns with the focusing ring, so the aperture is set before focusing (Richard Haw)
  • Nippon Kogaku Tokyo lettering, Q·C designation; 'Made in Occupied Japan' on the coupled examples
  • Heavy brass barrel, tripod foot, no click-stops — the S lens's build in a Leica fit

Bellows short mount (1958/59):

  • No helicoid or rangefinder coupling — a preset short-mount head focused entirely by the bellows on a Nikon rangefinder body
  • Rear thread is Leica screw, but that is how it seats in the bellows — it will not focus on a Leica-thread camera
  • 43mm attachment size
  • Early barrels engraved 13.5cm (triangle infinity index, later a dot); final block engraved 135mm

Serial-range notes

6111–611232
First block, S mount, from November 1948; serials read as the 611 prefix plus a sequence number.
9041–904766
Second block, December 1949 onward, where the Leica-thread lenses join the record alongside the S-mount ones — one numbering for both fits.
523711–524028
Final rigid block, December 1950 into 1951; production ended when the 13.5cm f/3.5 replaced it in January 1951.
578001–580610
Bellows short-mount run, June 1959–1968: earliest batch shiny chrome with triangle infinity index (to 578191), dull chrome front ring after 578302, dot index from 578435, and the final block (579082–580610) engraved 135mm rather than 13.5cm.
890001–890838
F-mount bellows successor with built-in tube, September 1968 – c.1969; listed for lineage completeness, not an S/LTM variant.

Specifications

Construction
4 elements / 3 groups
Aperture range
f/4
Min. focus
1.5 m
Weight
560 g
Filter
40.5 mm
Years manufactured
1946–1968
Country
Japan

What reviewers say

Optical Ratings

Aggregated from the reviews above — follow the links for the full picture.

Chromatic aberration
visible wide open
Spherical aberration
mild, characterful
Vignetting
prominent wide open
Flare & ghosting
prone
Optical formula
Schematic cross-section drawn for this site — topology from Nikon Thousand-and-One-Nights No.43 (existing link) describes the Nikkor-Q.C 13.5cm f/4 verbatim: a Tele-Sonnar three-group, four-element structure with a convex lens at the front, cemented convex and concave lenses in t; curvatures and spacing stylized.
Schematic cross-section drawn for this site — topology from Nikon Thousand-and-One-Nights No.43 (existing link) describes the Nikkor-Q.C 13.5cm f/4 verbatim: a Tele-Sonnar three-group, four-element structure with a convex lens at the front, cemented convex and concave lenses in t; curvatures and spacing stylized. — Drawn for this site, CC BY 4.0

History

Nippon Kogaku’s first telephoto for the 35mm frame was calculated in the rubble year of 1946: Saburo Murakami (村上三郎) of the optical research section completed the design that autumn, and production began in October — making the Nikkor-Q·C 13.5cm f/4 one of the postwar “original six” with which the company entered consumer photography. It is a telephoto Sonnar, four elements in three groups, closely modeled on the Zeiss Sonnar 13.5cm f/4 — though Nikon’s 1001 Nights retrospective is at pains to point out that Japanese optical glass of the day was far below German grade, forcing an independent recomputation rather than a straight copy. The same retrospective hands the lens its best story: when David Douglas Duncan projection-tested Nikkors in 1950 — he had come for the 8.5cm he’d already fallen for — it was this telephoto’s performance against the German competition that convinced him, and Nikkors went with him when the Korean War broke out months later.

The mount history mirrors the company’s own: when the lens appeared there was no Nikon camera to put it on. The earliest examples were Leica-screw, sold from 1947; the native S-mount version followed alongside the Nikon I in 1948, and the lens was being advertised by October 1949. It rangefinder-couples in both fits — and the S-mount coupling cam is where “Made in Occupied Japan” hides, engraved on a part no owner ever sees without a teardown. Roland Vink’s serial data catches three blocks: 6111–611232, S-mount, from November 1948; 9041–904766 from December 1949, where Leica-screw examples join the record; and a final 523711–524028 spanning December 1950 into 1951 — roughly 1,300 lenses all told, every block ringed “Tokyo.”

That final block marks the ending. In January 1951 Murakami’s own recalculation, the Nikkor-Q·C 13.5cm f/3.5, took over — a third of a stop faster, vastly more numerous, and destined to carry the design through the whole S-mount era and onward into the F-mount 135mm f/3.5 Auto. The f/4 was left as something genuinely scarce: the root of the entire medium-telephoto Nikkor line, produced for only a few years, and by modern accounts a startlingly good performer for its circumstances — sharp from wide open, at every distance, from a factory working with scarce materials and war-worn machinery.

The designation then had a strange afterlife. In 1959 Nippon Kogaku issued a second 13.5cm f/4 Nikkor that shares nothing with the first but the name: a Tessar-type four-in-three short-mount head with no helicoid at all, its rear threaded Leica-screw, built for the Nikon S bellows attachment — itself a roughly 200-unit accessory — and the only route below 180mm in the S system’s close-up arsenal, since the reflex housings took nothing shorter. The short-mount lens far outlived both the bellows unit and the rangefinder system: about 2,600 were made through 1968, the engraving shifting from 13.5cm to 135mm along the way, until an F-mount bellows version with built-in tube closed the line in 1968–69. Two optical designs, one catalog name — and an open question of whether they are really one lens at all.

Expand Collapse

This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.

Example photos

Sample photo taken with the Nikkor-Q(·C) 13.5cm f/4
Nikkor-Q 13.5cm f/4 on the BR-1 ring, Nikon F (s58y) — s58y, via Wikimedia Commons (CC BY 2.0)
Sample photo taken with the Nikkor-Q(·C) 13.5cm f/4
Nikkor-Q 13.5cm f/4 with the BR-1 ring (s58y) — s58y, via Wikimedia Commons (CC BY 2.0)

Sample photo wanted — shot with a Nikkor-Q(·C) 13.5cm f/4? We'd love to feature it (with credit).

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