Mamiya-Sekor 250mm f/4.5 (RB67)
Mamiya · Mamiya RB67 · 1970
single source, unconfirmedAlso known as: Mamiya 250mm f/4.5 RB67 · Mamiya RB67 250mm f4.5 · Mamiya-Sekor 250mm f/4.5 · Mamiya-Sekor C 250mm f/4.5 · Mamiya Sekor C 250mm f4.5 · Mamiya K/L 250mm f/4.5 L · KL 250mm f/4.5 L · KL 250mm f/4.5 APO L · Mamiya 250 4.5 RB · セコール 250mm F4.5 · セコールC 250mm F4.5 · マミヤ RB67 250mm · マミヤ KL 250mm F4.5
Variants & identification
| Variant | Mount | Years | Serial ranges | Production |
|---|---|---|---|---|
| Mamiya-Sekor 250mm f/4.5 (1970 original, single-coated) · Seiko #1 mechanical leaf shutter, 1s–1/400 and T | Mamiya RB67 | 1970–1974 | — | — |
| Mamiya-Sekor C 250mm f/4.5 (1974, multicoated) · Seiko #1 mechanical leaf shutter, 1s–1/400 and T | Mamiya RB67 | 1974–1990 | — | — |
| Mamiya K/L 250mm f/4.5 L (1990, Pro-SD generation, non-APO) · Seiko #1 mechanical leaf shutter, 1s–1/400, T and B | Mamiya RB67 | 1990 | — | — |
| Mamiya APO-K/L 250mm f/4.5 L (apochromat, Pro-SD generation) · 7 elements in 5 groups; two elements of ultra-low dispersion glass and one of anomalous dispersion glass (Mamiya APO lens booklet) · Seiko #1 mechanical leaf shutter, 1s–1/400, T and B | Mamiya RB67 | 1990 | — | — |
- Original and Sekor C figures are from the RB67 Professional and RB67 Pro-S instruction books at butkus.org; APO figures are from Mamiya's APO lens booklet at butkus.org; the non-APO K/L figures are from the RB67 Camera Guide (rb67.helluin.org), which quotes the lens's own manual for the element count, and are otherwise single-source.
- camera-wiki gives 7 elements in 5 groups for the non-APO K/L and 7 in 6 for the APO; the lens manual quoted by the RB67 Camera Guide and Japanese Wikipedia give 5 in 4 for the K/L, and Mamiya's booklet gives 7 in 5 for the APO. The maker's and the manual's figures are used.
- Generation years are the body years (Pro-S 1974, Pro-SD September 1990); no Mamiya document consulted gives a changeover date for the 250 itself, and no source dates the APO version separately from the other Pro-SD lenses.
How to tell them apart
- The name ring sorts them: MAMIYA-SEKOR with a chrome front ring is the 1970 lens, SEKOR C the 1974 multicoated lens, K/L with no Sekor name the 1990 lens, and APO with a blue line around the front the apochromat
- Weight separates the two Sekors: 1,310 g for the original against 1,020 g for the C, by the two instruction books
- A K/L or APO lens has a removable 7 mm adapter ring at the rear; the Sekor versions need a separate mounting ring on a Pro-SD or an RZ67
- Every version takes 77 mm screw-in filters and focuses on the body's bellows
Mamiya-Sekor 250mm f/4.5 (1970 original, single-coated):
- Engraved MAMIYA-SEKOR 1:4.5 f=250mm, no C; chrome front ring; single coating (camera-wiki)
- RB67 Professional instruction book: 5 elements in 4 groups, picture angle 20°, minimum aperture f/45, 77 mm filter, screw-in hood, 46-3/16 oz (1,310 g)
- Closest focus 1.6 m from the front rim (Japanese Wikipedia)
Mamiya-Sekor C 250mm f/4.5 (1974, multicoated):
- C after Sekor; black barrel; multicoated (camera-wiki)
- Pro-S instruction book: 5 elements in 4 groups, picture angle 20°, minimum aperture f/45, 77 mm filter, screw-in hood, 36 oz (1,020 g)
- Closest focus 1.57 m from the front rim (Japanese Wikipedia)
- Two-letter date-code sticker on the rear of the lens (Mamiya Repair)
Mamiya K/L 250mm f/4.5 L (1990, Pro-SD generation, non-APO):
- K/L on the barrel, no Sekor name, no blue line around the front (RB67 Camera Guide: 'the APO/L lenses has a blue line around the front of the lens, the non-APO lens does not')
- 5 elements in 4 groups per the lens's own manual as quoted on the RB67 Camera Guide; Japanese Wikipedia adds that it includes ultra-low dispersion glass (超低分散レンズを含む)
- 1,130 g, closest focus 1,860 mm, minimum aperture f/45, 20° (RB67 Camera Guide); Japanese Wikipedia gives 1.854 m, or 1.578 m from the front rim
- Removable 7 mm adapter ring at the rear for Pro and Pro-S bodies (Pro-SD manual)
Mamiya APO-K/L 250mm f/4.5 L (apochromat, Pro-SD generation):
- APO on the barrel and a blue line around the front of the lens (RB67 Camera Guide)
- Mamiya's APO booklet: 7 elements in 5 groups, automatic diaphragm, minimum aperture f/45, closest focus 1,564 mm from the front rim, area covered 298 × 370 mm, 77 mm filter, screw-in hood attached, 137.8 mm long × 97.2 mm diameter, 1,370 g; angle of view 20°30' diagonal
- Pincushion distortion 'less than 1%' per the booklet; no focus shift between visible and infrared
- Mamiya-Sekor 250mm f/4.5 (1970 original, single-coated): One of the seven original Mamiya-Sekor lenses of 1970 (RB67 Camera Guide) and the longest lens in the first instruction book, which describes the range as "from the 65 mm wide angle to the 250 mm telephoto". At 1,310 g it is the heaviest of the four 250s here; the figure comes from the 1970 book itself. Reznitsky's chart lists these pre-1978 lenses as not usable on an RZ67 body.
- Mamiya-Sekor C 250mm f/4.5 (1974, multicoated): The same five-in-four design in the multicoated barrel of the Pro-S era, and almost 300 g lighter than the original by the two instruction books. Mike, on the rec.photo medium-format group, puts C-lens production at 1974 through 1990. Reznitsky recommends the lens mounting ring when a C lens goes on a Pro-SD or an RZ67, and the RZ67 Pro IID manual says the same.
- Mamiya K/L 250mm f/4.5 L (1990, Pro-SD generation, non-APO): The Pro-SD generation's plain 250, listed as "KL 250mm f/4.5" in the Pro-SD manual. The RB67 Camera Guide calls it "a newer optical formula in comparison to the C/Original 250mm f4.5" while keeping the five-in-four count; camera-wiki's 7 elements in 5 groups for the "250mm f/4.5 K/L" matches the APO lens's construction and is treated here as a conflation. Japanese Wikipedia names it KL 250mm F4.5 L-A; whether that suffix denotes a floating group is not stated by any source consulted.
- Mamiya APO-K/L 250mm f/4.5 L (apochromat, Pro-SD generation): Mamiya's booklet for the "RB Pro-SD apochromatic lenses" describes the 250 as combining "two lenses which use ultra low dispersion glass with one that uses anomalous dispersion glass" so that spherical aberration and field-curvature changes at short distances are remedied, and says that with infrared film "focal length adjustments are unnecessary after focusing". On a Pro-S the lens mount adapter ring is removed; the APO 500mm f/6 will not fit a Pro-S at all, but the 210, 250 and 350 APO lenses do. Japanese Wikipedia's 5群7枚 agrees with the booklet; camera-wiki's 7 in 6 groups does not and is not used. The RZ67's APO 250mm f/4.5 shares the 7/5 count, 1.86 m closest focus and 1,340 g per the Pro IID brochure.
Serial-range notes
- two-letter sticker on the rear of the lens
- Mamiya dated RB and RZ lenses with a two-letter code stuck to the back of the lens: the first letter is the year, the second the month, A = January. Year letters run A–J for 1971–1980, A–T for 1981–2000 and A–N for 2001–2014, so the decade has to be read from the generation (Mamiya Repair). No serial-to-year table for the 250 has been published.
Specifications
- Formula
- 5 elements in 4 groups (Mamiya-Sekor, Sekor C and K/L); 7 elements in 5 groups with two ULD elements on the K/L APO
- Construction
- 5 elements / 4 groups
- Aperture range
- f/4.5–f/45
- Shutter
- Seiko #1 mechanical leaf shutter in every version, 1s–1/400 and T, flash sync at all speeds; the K/L and APO add a B setting (Pro-SD manual). Focusing is by the body's bellows, so the lens has no helicoid.
- Weight
- 1310 g
- Filter
- 77 mm
- Years manufactured
- 1970
- Country
- Japan
- Coating
- Single coating on the 1970 Mamiya-Sekor; multicoated from the Sekor C of 1974; improved coatings again on the K/L and APO of 1990 (camera-wiki)
What reviewers say
- Lubomir Drapal (35mmc), Home on Mamiya RB67 (blog) — A photo essay rather than a test: he added the Sekor 250mm for the fog-shrouded autumn mornings of his home hills, "ideal conditions for working with a long focal length", and the frames "came out exactly as I imagined".
- Scott McClarin (Emulsive), RB67 Pro-S review (blog) — Sekor C lenses "are known to be exceptionally sharp, although you should avoid older lenses if you don't like chromatic aberration"; most RB lenses sit between US$75 and $280, with only the 37mm C and pristine 500mm at $600 and up.
- Mark Foster (Japan Camera Hunter), Camera Geekery: Mamiya RB67 (blog) — "I would trust all RB lenses are grotesquely sharp"; the C-versus-K/L question is a division among photographers, not something he has found in his own C lens, though he warns of price and compatibility differences.
Optical formula — 5 elements in 4 groups (Mamiya-Sekor, Sekor C and K/L); 7 elements in 5 groups with two ULD elements on the K/L APO
No cross-section found: the RB67 Professional, Pro-S and Pro-SD instruction books and Mamiya's APO lens booklet at butkus.org give specification blocks, entrance-pupil positions and depth-of-field tables without optical diagrams, and no Mamiya data sheet for the 250 is online.
History
The 250mm f/4.5 was the long end of the RB67 system at launch. The 1970 instruction book describes the lenses as running “from the 65 mm wide angle to the 250 mm telephoto” and gives the 250 its own specification block: 5 elements in 4 groups, a picture angle of 20°, f/4.5 to f/45, a 77 mm filter thread, a screw-in hood and 46-3/16 oz, or 1,310 g. Like every RB lens it has a Seiko #1 leaf shutter, 1 second to 1/400 with sync at every speed, and no focusing helicoid; the body’s bellows do that, which is why closest distances are quoted from the front rim and why the same lens focuses differently on the longer bellows of the Pro-SD. On the RB67 Flickr group the 250 is described as “almost exactly twice as long as the 127” and as a bit heavier and larger than the 180.
Four versions exist under this name and three of them share the five-in-four design. The single-coated Mamiya-Sekor of 1970 has a chrome front ring; the Sekor C, introduced with the Pro-S in 1974, is multicoated and, by the Pro-S instruction book, 1,020 g, nearly 300 g lighter than the original with the same element count and the same 20° and f/45. The Pro-SD of September 1990 brought the K/L 250mm f/4.5 L, listed in the Pro-SD manual simply as KL 250mm f/4.5: the RB67 Camera Guide calls it a newer optical formula, quotes its manual for 5 elements in 4 groups and gives 1,130 g and 1,860 mm, and Japanese Wikipedia says it includes ultra-low dispersion glass. camera-wiki’s seven-in-five count for this lens is the APO’s count and is not used here.
The fourth is a different lens. Mamiya’s booklet for the “RB Pro-SD apochromatic lenses” gives the APO-K/L 250mm f/4.5 L as 7 elements in 5 groups, combining “two lenses which use ultra low dispersion glass with one that uses anomalous dispersion glass”, with pincushion distortion under 1%, closest focus 1,564 mm from the front rim, 137.8 mm long by 97.2 mm across and 1,370 g. The booklet’s claim is that focus does not shift between visible light and infrared and that field curvature at short distances has been remedied. The RB67 Camera Guide gives the field mark: a blue line around the front of the lens on the APO, none on the plain K/L. The RZ67’s own APO 250mm f/4.5 has the same 7/5 construction, 1.86 m closest focus and 1,340 g in the Pro IID brochure.
Mounting is where the generations bite. The Pro-SD enlarged the throat from 54 to 61 mm, so K/L and APO lenses carry a 7 mm adapter ring at the rear that comes off for a Pro-SD and stays on for a Pro or Pro-S; the APO booklet says the 210, 250 and 350 APO lenses work on a Pro-S that way, while the APO 500 will not fit one. The Sekor and Sekor C go on a Pro-SD or an RZ67 with a separate mounting ring, which Reznitsky’s chart and the RZ67 Pro IID manual both recommend, and the pre-1978 lenses are listed as unusable on an RZ, whose manual asks that older RB lenses have their shutter torque checked by a Mamiya service department first.
Reviews of the 250 specifically are thin. Lubomir Drapal at 35mmc added a Sekor 250 for foggy autumn mornings and got what he imagined; Scott McClarin at Emulsive calls the Sekor C lenses exceptionally sharp and warns that older lenses show more chromatic aberration; Mark Foster at Japan Camera Hunter trusts all RB lenses to be sharp and sees the C-versus-K/L question as a division among owners rather than a difference he has found. What to check is the same as for any RB lens: every shutter speed, the slow speeds especially, the cocking action on and off the body, and the diaphragm blades. Open questions: the first year of the K/L and the APO beyond the Pro-SD’s 1990, the meaning of the L-A suffix Japanese sources attach to the plain K/L, and any list price in yen or dollars, none having been found.
This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.
Example photos
Sample photo wanted — shot with a Mamiya-Sekor 250mm f/4.5 (RB67)? We'd love to feature it (with credit).
Live listings
Asking price, USD: a median of $140 across 28 fixed-price listings on 2026-09-19 (middle half $100–$150). First day tracked.
Asking prices from the listings scanned, not sales; junk-flagged rows and auction lots excluded; other currencies are not converted.
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