Serenar 50mm f/1.9
Canon · LTM · 1949 · Gauss type, 6e/4g
Also known as: Serenar 50mm f/1.9 · Canon Serenar 50mm f/1.9 · Serenar 50mm f1.9 · Serenar 5cm f/1.9 · Canon 50/1.9
Variants & identification
| Variant | Mount | Years | Serial ranges | Production |
|---|---|---|---|---|
| Serenar 50mm f/1.9, collapsible | LTM | 1949–1951 | Type 3 examples mostly from about #311xx (Leica Copies Japan) | No figure published |
- Canon's own thread before 1951 was 39 mm at 24 threads per inch (1.058 mm pitch), against Leica's 26 tpi — close enough that the lenses interchange in practice, and the difference is why an early Serenar can feel tight on a Leica. The Serenar 50mm f/1.8 of late 1951 was the first Canon lens cut to the Leica pitch (Leica Copies Japan).
How to tell them apart
Serenar 50mm f/1.9, collapsible:
- Marketed January 1949, ¥29,500 · 230 g · 40 mm filter · stops to f/11
- Collapsible chrome barrel with infinity lock; 40 mm filter; 230 g; 15 blades
- Marked in millimetres — the first Canon lens to drop centimetres (Leica Copies Japan)
Specifications
- Formula
- Gauss type, 6e/4g
- Designed by
- Kuroki Masana — optical design (camera-wiki)
- Construction
- 6 elements / 4 groups
- Aperture range
- f/1.9–f/11
- Min. focus
- 1.07 m
- Weight
- 230 g
- Filter
- 40 mm
- Years manufactured
- 1949
- Country
- Japan
- Original price
- ¥29,500 (January 1949, Canon Camera Museum; no price index for that year, so not restated in today's money)
What reviewers say
- Andrew Bibee (35mmc), on a Leica M3 and a Canon IID (blog) — "The lens has a 'painterly' quality": sharp centre stopped down, soft edges, swirl in the blur, prone to flare, best on contrasty black-and-white — "the perfect lens to emulate early pictorialism looks on 35mm."
History
A recomputation of the f/2 with a fifteen-blade diaphragm and, for the first time on a Canon, a distance scale in millimetres rather than centimetres — Kuroki Masana’s design, marketed in January 1949 at ¥29,500 as the standard lens of the Canon IIB. It collapses into the body like a Summitar, which it resembles outside and not inside, and it was replaced by the rigid f/1.8 in late 1951.
Andrew Bibee’s review calls it “the perfect lens to emulate early pictorialism looks on 35mm”: sharp in the centre stopped down, soft at the edges, “painterly,” flare-prone, and at $150–200 an affordable character lens. The name Serenar comes from the moon’s Sea of Serenity.
This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.
Example photos

Sample photo wanted — shot with a Serenar 50mm f/1.9? We'd love to feature it (with credit).
Live listings
Asking price, USD: a median of $250 across 11 fixed-price listings on 2026-09-11 (middle half $220–$390). Tracked since 2026-09-09, 2 days: unchanged from $250.
By day
| Date | Median | Middle half | Listings |
|---|---|---|---|
| 2026-09-11 | $250 | $220–$390 | 11 |
| 2026-09-09 | $250 | $220–$390 | 11 |
Asking prices from the listings scanned, not sales; junk-flagged rows and auction lots excluded; other currencies are not converted.
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Listings updated 2026-09-11. Links go to the shop or marketplace that carries the item.