Zenzanon-PG 100mm f/3.5

Zenza Bronica · Bronica GS · 1983

Also known as: Zenzanon-PG 100mm f/3.5 · Zenzanon PG 100mm F3.5 · Zenzanon-PG 100/3.5 · Bronica PG 100mm f3.5 · Zenza Bronica Zenzanon-PG 100mm · Bronica GS-1 100mm f/3.5 · Bronica GS 100mm F3.5 · ゼンザノン PG 100mm F3.5 · ゼンザブロニカ PG 100mm · ゼンザノンPG 100mm · ブロニカ GS-1 100mm

Variants & identification

Variant Mount Years Serial ranges Production
Zenzanon-PG 100mm f/3.5 (1983–2002) Bronica GS 1983–2002 — About 15,000 (camera-wiki), against about 22,500 bodies
  1. Construction (6 elements in 4 groups), closest focus and filter thread are from カメラ年鑑'84 p.256 as quoted by Japanese Wikipedia, and agree with camera-wiki and Tamron Japan. Length, diameter and weight (67.5 × 87mm, 630g) are Tamron Japan's and camera-wiki's shared figures; F3.5–22 is Tamron Japan's aperture range and 48° the angle of view on Tamron USA's page.
  2. The 6-in-4 count is a classic four-group normal; no source names the design type, and it is left unnamed here.
  3. Production: camera-wiki's about 15,000, unsourced on that page, is the largest run of any PG lens and about two lenses for every three bodies.
  4. A dealer's description giving the 80mm and 100mm as 'f/3.25' is a misreading; every maker's document says f/3.5.
How to tell them apart (expand)
  • ZENZANON-PG on the front ring: PG is the GS-1 designation, as PS is the SQ's and PE the ETR's, and the four-claw GS bayonet fits no other Bronica body (camera-wiki)
  • No shutter-speed ring: the Seiko #0 shutter inside is set from the dial on the body (Tamron Japan)
  • The shortest and lightest PG lens after the 150mm, 67.5mm long and 630g on the 87mm barrel with a 72mm filter (Tamron Japan); f/3.5, the fastest aperture in the line, shared only with the late 80mm

Specifications

Construction
6 elements / 4 groups
Aperture range
f/3.5–f/22
Shutter
Seiko #0 electronic leaf shutter in the lens, 16s–1/500 plus T and B, timed from the GS-1 body; mechanical fallback of about 1/500 without a battery (Tamron Japan)
Min. focus
0.75 m
Dimensions
87 × 67.5 mm
Weight
630 g
Filter
72 mm
Years manufactured
1983–2002
Country
Japan
Original price
$1,532 (Tamron USA list, April 1996); $1,736 (Tamron USA, 2004). In Japan sold in the GS-1 sets: ¥276,000 with body, 6×7 back and waist-level finder, ¥357,000 with AE prism and Speed Grip (Tamron Japan, c.2001) (today $3,060)

What reviewers say

History

The standard lens of the GS-1, supplied with the body in both of Tamron’s Japanese sets and, at about 15,000 made against 22,500 bodies, the lens most GS-1s still carry. Six elements in four groups cover 48° on 6×7, which on this format is a little longer than a 50mm on 35mm, and focus to 0.75m; at 67.5mm long and 630g on the 87mm barrel it is the second-smallest and lightest PG lens, and its f/3.5 was the fastest aperture Bronica offered for the camera until the 80mm matched it in 1997. The Seiko #0 shutter inside gives 16 seconds to 1/500 and flash synchronisation at every speed.

It was also the cheapest lens in the line as long as the line existed: $1,532 on Tamron’s April 1996 list and $1,736 in 2004, when the newer 80mm undercut it. Nothing in the record separates an early lens from a late one, and no source names the design type behind the 6-in-4 layout.

Every reviewer of the camera used it and none reviewed it on its own. Ross Jukes keeps it on the body most of the time and credits the 6×7 negative with detail and shallow depth of field that can stand beside digital; Laidric Stevenson’s came in his first outfit and he rates the PG lenses as a group against the Mamiya RZ’s; Adrian Cowderoy has used his, sometimes behind the 2× converter, since 1988. A kakaku.com reviewer gives the lenses’ sharpness and rendering five stars while wishing there were more of them. Used, Stevenson puts most PG lenses at $70 to $300, and Jukes sometimes finds them under £150.

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This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.

Example photos

Sample photo wanted — shot with a Zenzanon-PG 100mm f/3.5? We'd love to feature it (with credit).

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