Agfa Parat
Agfa · Fixed lens · 18×24 mm on 35mm film · 1963
Also known as: Agfa Parat I · Agfa Parat-I · Agfa Paramat · Agfa Optima Parat · Agfa Optima-Parat
Variants & identification
| Variant | Mount | Years | Serial ranges | Production |
|---|---|---|---|---|
| Parat I (1963) | Half-frame | 1963 | — | No figure published |
| Paramat (1963) | Half-frame | 1963 | — | No figure published |
| Optima-Parat (1963–64) | Half-frame | 1963 | — | No figure published |
- Three cameras with two lenses. The Parat I and Paramat carry the triplet Color-Apotar; the Optima-Parat carries the four-element Color-Solinar in a Compur shutter. By the optical-design rule the Optima-Parat could be its own page; it is here because Agfa sold the three as one Parat line in the same body across the same years, and because splitting a three-camera line in two would leave each half with one source.
- Dates differ by a year: Photo Thinking gives the Optima-Parat as 1964, Johnny Martyr and Mike Eckman as 1963 with the rest of the line. Agfa's own dating was not found.
- The Optima-Parat has no manual fallback for a dead meter in Jim Grey's account and 'manual exposure is also possible' in Photo Thinking's; the two may be describing different settings on the same camera, and the entry records both.
How to tell them apart
- An Optima-sized body for a half frame, which every reviewer notices: Agfa built it on the full-frame Optima chassis
- The coin slot for setting film speed on the Optima-Parat: 'stick a coin in the slot ... and let the selenium meter do the rest' (Jim Grey)
Parat I (1963):
- Color-Apotar 30mm f/2.8, a three-element triplet, in an Agfa Paratic leaf shutter
- All manual: no meter at all — one of the few half-frames without any automatic mode (Mike Eckman)
- Front-mounted shutter-speed slider close to the release; about $39.95
Paramat (1963):
- Selenium automatic exposure on the Apotar body; about $79.95 (Mike Eckman)
Optima-Parat (1963–64):
- Color-Solinar 30mm f/2.8, four elements, Tessar-type, in a Compur shutter from 1/30 to 1/500 and B
- Selenium automatic exposure with a red-to-green indicator, and manual exposure available; ASA to 250 (Photo Thinking)
- Polished aluminium covering with brushed satin panels — the 'half-frame jewel'
Specifications
- Format
- 18×24 mm on 35mm film · 72 exposures
- Finder
- Direct-vision optical finder; a red/green exposure indicator on the automatic models · no rangefinder image
- Shutter
- Leaf: Agfa Paratic (Parat I, Paramat), Compur (Optima-Parat) · 1/30 – 1/500 and B on the Optima-Parat
- Film advance
- Lever
- Meter
- None on the Parat I; selenium automatic on the Paramat and Optima-Parat, the latter with manual override
- Country
- Germany
Where sources disagree
- Optima-Parat introduction
- 1963, with the Parat I and Paramat (Mike Eckman, Johnny Martyr)
- 1964 (Photo Thinking)
Better supported: Unresolved
One year, no Agfa document.
What reviewers say
- Mike Eckman, a 1963 Parat I (blog) — "One of the few half frame cameras to not have any type of auto exposure mode" — and therefore one that still works when its metered siblings have died. A solid lens under 300 g; a speed slider dangerously close to the release, and a full-frame Optima body for a half-frame camera.
- Theo Panagopoulos (Photo Thinking), Optima-Parat (blog) — "An extremely addictive camera to use and the results are some of the best": the selenium system still exposing well across several films without a battery, and a Color-Solinar that is contrasty and sharp beyond the format. ASA 250 as the ceiling makes Portra 400 a problem, and frame spacing wanders.
- Johnny Martyr, Optima Parat (blog) — A rave: battery-free automatic exposure two decades before the SLRs had it, tight tolerances, brushed satin and polished aluminium. Plastic mode tabs that squeak, and an averaging meter with no lock that gives up on backlit subjects.
- Jim Grey (Down the Road), Optima-Parat (blog) — "Stick a coin in the slot of the ASA/DIN control, twist to select your film's ISO, and let the selenium meter do the rest": a Color-Solinar with exceptional sharpness for an 18×24 negative. When the selenium dies the camera is finished, and 72 frames wear a modern shooter down.
History
Agfa answered the Japanese half-frames in 1963 with three cameras built on the chassis of its full-frame Optima, which is why every reviewer remarks on the size. The Parat I is the plain one: a Color-Apotar 30mm f/2.8 triplet in a Paratic shutter, no meter, a speed slider on the front, about forty dollars. The Paramat put a selenium automatic exposure system on the same body for twice the money. The Optima-Parat — 1963 or 1964, the sources split — is the jewel: a four-element Color-Solinar 30mm f/2.8 in a Compur shutter running to 1/500, selenium automation with a red-to-green indicator, manual exposure to hand, and an aluminium body in brushed satin and polish.
The reviewing is unusually warm. Photo Thinking calls the Optima-Parat extremely addictive and its results some of the best from the format; Johnny Martyr’s is a rave; Jim Grey finds the Solinar exceptionally sharp for an 18×24 negative and the coin-slot film-speed dial charming. The reservations are the class’s: an ASA 250 ceiling, wandering frame spacing, an averaging meter that gives up on backlight, and — the one that decides which Parat to buy today — a selenium cell whose death ends the camera. Mike Eckman’s point about the Parat I is that, having no meter, it has nothing to die.
This history is AI-written, from the sources listed at the foot of the page. Where the record is silent it says so rather than filling the gap — but no human wrote these sentences.
Example photos


Sample photo wanted — shot with a Agfa Parat? We'd love to feature it (with credit).
Live listings
Asking price, USD: a median of $35 across 3 fixed-price listings on 2026-09-06 (middle half $7–$35). First day tracked.
Asking prices from the listings scanned, not sales; junk-flagged rows and auction lots excluded; other currencies are not converted.
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Listings updated 2026-09-08. Links go to the shop or marketplace that carries the item.